Critics’ reviews

Beauty and the Beast (1991)

10 reviews from 10 publications. Critics’ score 86: 8 positive, 0 mixed, 0 negative.

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86
Positive
8
Mixed
0
Negative
0

The reviews are strongly positive, with praise clustering around the animation, songs and brisk storytelling. Critics repeatedly single out Howard Ashman and Alan Menken’s musical numbers for their wit and energy, while the character designs and computer-assisted ballroom sequence draw particular admiration. Belle’s bookish resourcefulness is widely welcomed as a useful updating of the fairy tale, and the living household objects receive considerable affection. Most critics find that the romance and humour work for adults as well as children.

The differences are chiefly in emphasis, with little sustained criticism of the film’s craft or pacing. Sight and Sound offers a more qualified reading, placing the adaptation within the tale’s history and noting its shift towards a materialistic celebration of true love and marriage. That concern with what the romance endorses sits apart from the broader enthusiasm for how gracefully the film tells its story.

The Hollywood Reporter
11 November 1991 · Duane Byrge
95*

The critic hails the film as an enchantingly splendid animation and a pinnacle of the art form, a timeless masterpiece that will continue to enchant viewers for generations. They single out the superb character designs, richly detailed backgrounds, and the rousing Howard Ashman/Alan Menken songs for particular praise.

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Empire
1 January 2000 · Emma Cochrane
90*

Beauty and the Beast heralded Disney's return to classic form as a musical that earned critical acclaim and an Oscar nomination for Best Picture. The critic highlights the strong characters, lively storytelling and film references as reasons it deserves its place among cinema greats.

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Film Comment
16 March 2017 · Michael Sragow
90*

The critic praises the 1991 animated film as the high point of Disney’s animation renaissance, fleet and graceful with sophisticated stylization and soul.

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Time Out
16 May 2012 · BC
85*

The critic commends the film's innovative use of CGI animation, especially the breathtaking ballroom sequence, and its modernization of Belle into a resourceful, bookish heroine who resists chauvinism. It praises the witty musical numbers, charming supporting characters, and the touching central relationship, calling the result dazzlingly good family entertainment.

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The Independent
10 October 1992
80*

The film marks a welcome return to form for Disney with its lively pacing, smart characters and inventive animated set pieces. The critic singles out the Beast's design and the ensemble of living household objects for particular praise.

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Sight and Sound
· Marina Warner
70*

The critic places the Disney film within the long history of Beauty and the Beast tales, noting its romantic and idealist tone and the central female protagonist's journey as a pilgrim's progress. It highlights how the adaptation moves away from earlier cynical or didactic versions toward a more materialistic celebration of true love and marriage.

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Los Angeles Times
15 November 1991 · Kenneth Turan

Beauty and the Beast is the most satisfying Disney animated feature in decades, serving both children and adults with its traditional yet wised-up fairy tale, striking visuals, and strong story. The critic especially praises the exceptionally alive songs by Howard Ashman and Alan Menken, noting Ashman’s loss, and highlights the memorable villain Gaston.

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The New York Times
13 November 1991 · Janet Maslin

The film is a fresh and triumphant success that combines sophisticated computer animation with a witty Broadway-style musical score, making it even more ambitious than The Little Mermaid. It updates the tale with a strong, bookish heroine and memorable supporting characters while delivering spectacular musical numbers and seamless storytelling.

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Den of Geek
13 November 2019 · Simon Brew
95*

The critic declares the 1991 Beauty and the Beast a flat-out classic and the best Disney animated movie, highlighting its masterful integration of music, storytelling, and character development.

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Eye for Film
15 November 2008 · Scott Macdonald
90*

The critic calls the film magical and praises its peerless craftsmanship in script, story, song, and uplifting emotion. They single out the well-paced story as the central strength that makes everything else secondary.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate