The reviews are strongly positive, with praise clustering around the animation, songs and brisk storytelling. Critics repeatedly single out Howard Ashman and Alan Menken’s musical numbers for their wit and energy, while the character designs and computer-assisted ballroom sequence draw particular admiration. Belle’s bookish resourcefulness is widely welcomed as a useful updating of the fairy tale, and the living household objects receive considerable affection. Most critics find that the romance and humour work for adults as well as children.
The differences are chiefly in emphasis, with little sustained criticism of the film’s craft or pacing. Sight and Sound offers a more qualified reading, placing the adaptation within the tale’s history and noting its shift towards a materialistic celebration of true love and marriage. That concern with what the romance endorses sits apart from the broader enthusiasm for how gracefully the film tells its story.
