Critics’ reviews

Before Sunrise (1995)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there is 1 so far.

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Positive
1
Mixed
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Negative
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Time Out
10 September 2012 · GA
90*

The critic praises the film's ability to convey emotional truths through conversation between the leads, calling it a funny, poignant, perceptive brilliant gem.

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Empire
1 January 2000 · Caroline Westbrook

Linklater's intelligent, witty and poignant tale breathes new life into the romance genre with believable characters and a script that crackles with wit and wisdom. It is too intelligent to be soppy and too damn good to be ignored, feeding the mind as well as warming the heart.

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Los Angeles Times
27 January 1995 · Peter Rainer

The critic finds the film enjoyably minor, noting the engaging chemistry of the two leads and the director's intuitive handling of youthful self-consciousness and chance encounters. It succeeds as a mainstream youth romance with extra feeling and mystery.

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The Guardian
30 January 2025 · Peter Bradshaw

The critic calls it a romance rather than a romcom or romantic drama, a brief encounter that feels like a strange and wonderful miracle without being cloying. They single out the film's elegant handling of unresolved sexual tension and the lightness with which the characters float through Vienna free from everyday cares.

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The Independent
19 April 1995 · Sheila Johnston

The film is a risky but largely successful departure for Linklater, sticking with two characters who meet on a train and spend a night chatting in Vienna. It offers diverting, cerebral conversation and sweet wordless moments but ends on a sceptical, faintly bittersweet note about relationships and time.

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The New Yorker
23 January 1995 · Anthony Lane

The review celebrates the film's odd, improvised-feeling structure of two strangers wandering and talking through Vienna, defying conventional plot rules. It singles out the strong performances by the leads that emerge from this open, bemused style.

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The New York Times
27 January 1995 · Janet Maslin

The critic praises the film's capture of two young travelers' instant connection and free-flowing conversations during one night in Vienna. It highlights the director's skill in crafting fanciful yet lifelike dialogue that feels universal.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate