Critics’ reviews

Ben-Hur (1959)

8 reviews from 8 publications. We need six from publications we count before we show a critics’ score; there are 3 so far.

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3 of 6
Positive
1
Mixed
0
Negative
2
Radio Times
★★★★★ · Peter Freedman
100

Wyler's epic is hailed as a costly, Oscar-sweeping masterpiece with Charlton Heston at his heroic best; the chariot race stands out as one of cinema's most iconic sequences, built on an unprecedented scale.

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The New Yorker
28 November 1959 · John McCarten
40*

The review finds the epic better suited to children than to adults, noting its grandiose sets, melodrama, and lengthy chariot race while criticizing Charlton Heston's stiff performance and overall appeal to tired viewers.

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Empire
1 January 2000 · William Thomas

Praises the film's unmatched grandeur and epic scale as a widescreen spectacle that still influences modern cinema. Singles out the impressive practical set-pieces like the chariot race alongside the strong central human drama anchored by Charlton Heston's performance.

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The Hollywood Reporter
18 November 1959 · Jack Harrison

The critic calls it an extraordinary motion picture, greater than any similar film of its time and the greatest of all spectacles, while also being a highly rewarding dramatic experience rich in human values. They single out the chariot race and sea battle for their pictorial and dramatic excitement, along with William Wyler's direction that balances spectacle with character-driven storytelling.

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The New York Times
19 November 1959 · Bosley Crowther

The critic calls the film the most stirring and respectable of Bible-fiction pictures, praising William Wyler's direction for turning spectacle into intelligent human drama and highlighting the strong performances by Charlton Heston and Stephen Boyd along with the brilliant chariot race.

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The Telegraph
1 January 2015

The critic calls the 1959 film one of cinema's greatest blockbusters, praising its grand biblical storytelling, intelligent direction, and especially the memorable chariot race sequence with thousands of extras.

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Time Out
26 September 2014 · SM

The film is viewed as overly long and preachy like a Sunday school lesson, but redeemed by its standout chariot race sequence (not directed by Wyler). It also notes the sexually charged dynamics between the male leads.

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Eye for Film
20 April 2026 · Donald Munro
40*

The film is not as good as its reputation suggests and drags due to overstatement, repetition, and excessive length, though the large-scale action sequences stand out. The naval battle and chariot race are highlighted for their impressive scale, seamless integration of effects, and excitement in the wide aspect ratio.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate