Almost every critic agrees about Javier Bardem. His performance as Uxbal, a Barcelona hustler with a terminal diagnosis and two children to provide for, is called restrained, dignified and controlled, the best work he has done, and the thing that holds the film together. The photography of the city’s poorer quarters is the other point of agreement, praised even by those who dislike the film. The warmer reviews find the closing scenes raw and moving.
The spread is wide. Most critics accept the film is grim; the argument is whether it is grim to any purpose. Nearly half find the run time, the parade of misfortune and the supernatural strand ponderous or self-important, and a few call it misery for its own sake. The Independent gives it one star out of five and finds it pious and short of energy; The AV Club calls it an oppressive dirge. Reviews written from its festival premiere are markedly colder than those on its later release.
H
The Hollywood Reporter
14 October 2010 · Kirk Honeycutt
80*
The critic describes the film as a gorgeous, melancholy tone poem about love, fatherhood and guilt, with some scenes absolutely wrenching to behold. Bardem delivers a knockout performance as the complex hero.
Read the full review →T
The Times
27 January 2011 · Kate Muir
80*
The award-winning film is overcooked and melodramatic yet brilliant, leaving audiences sobbing, thanks to a searing central performance by Bardem as a hustler facing mortality.
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Time Out
25 January 2011 · ★★★★ · Trevor Johnston
80
The critic praises Javier Bardem's career-best, restrained performance as the lead, which grounds the film's sprawling story of suffering, family, and compassion. They highlight how the film evokes strong emotional responses despite its chaotic elements and grim tone.
Read the full review →T
Total Film
26 January 2011 · Kevin Harley
80*
The review says the film is ferocious filmmaking with lyrical austerity and conviction, benefiting from its linear structure and fierce focus on Bardem, though it occasionally over-reaches; the closing scenes hit raw emotional nerves effectively.
Read the full review →E
Empire
13 December 2010 · Andrew Male
75*
The critic notes that the single-location focus and Bardem's weary, dignified performance give the film a profound effect and edge it toward a new kind of greatness as a modern classical tragedy, despite its heavy parade of misfortune.
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Los Angeles Times
29 December 2010 · Betsy Sharkey
70*
The critic singles out Bardem's staggering depth and the collaboration with Iñárritu for mining profound sadness into a story of hope and protection of loved ones amid terminal illness. The film is faulted for trying to say too much, creating an overwhelming emotional load.
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The Guardian
27 January 2011 · Peter Bradshaw
70*
The film is impressive and arrestingly made with a distinctive created world and visual poetry, but it is also exasperating, unconvincing and verges on misery porn.
Read the full review →It is an oppressively bleak but intermittently powerful heavyweight dramatic experience, carried by Bardem's measured and moving performance as the doomed Uxbal.
Read the full review →E
Evening Standard
10 April 2012
60*
The review finds the film remorselessly downbeat and overlong with grim fatalism that can seem ponderous, but praises its brilliant shooting and especially Javier Bardem's masterly central performance as the highlight.
Read the full review →N
The New York Times
29 December 2010 · A.O. Scott
60*
The critic praises Javier Bardem's passionate, physically charismatic yet sensitive performance as the film's central strength in this gritty story of an underworld figure and dying father. However, the narrative is seen as straining for emotional credibility it does not fully earn.
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Slant Magazine
27 December 2010 · Ed Gonzalez
50*
The critic notes the director's continued appetite for overstatement and a cynical view of life, but praises Bardem's performance and finds poignant moments in the reflection on inheritance and bodily decay.
Read the full review →A
The AV Club
28 December 2010 · C- · Scott Tobias
50
The critic sees the film as an irritating, oppressive 150-minute dirge full of piled-up tragedies and magical realism that fails to relieve the gloom. Bardem and Álvarez deliver fine work amid the excess.
Read the full review →V
Variety
17 May 2010 · festival review · Justin Chang
40*
The critic highlights Bardem's powerful, beautifully controlled performance and the film's raw visual style as strengths in this linear character study of a doomed father. It is criticized as a long, heavy descent into purgatory with scant emotional rewards and a sense of the director stuck in a grim rut.
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IndieWire
18 May 2010 · festival review · Eric Kohn
30*
The review calls the film a misguided melodrama, criticizing its excesses while noting the director's ambitions.
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Screen Daily
17 May 2010 · festival review
30*
The review finds the film overextended and leaden with overbearing portentousness and unrelenting grimness, criticizing its solemn handling of bleak social issues despite strong cinematography. It notes Bardem's dignified performance but doubts the redemption arc.
Read the full review →I
The Independent
28 January 2011 · ★
20
The critic calls the film 147 minutes of handwringing miserabilism and a glum drama of good intentions gone wrong, faulting its pious self-importance and lack of energy after the director's split from his regular screenwriter.
Read the full review →C
Collider
7 July 2011 · Dave Trumbore
75*
The film is a relentless, bleak character study centered on Uxbal's desperate attempts to provide for his children and seek redemption amid cancer, crime, and family turmoil. Bardem's performance anchors the intimate drama as its strongest element.
Read the full review →D
Digital Spy
19 May 2010 · festival review · Mayer Nissim
70*
The critic praises the heartbreaking story and Javier Bardem's performance but notes the supernatural element is unnecessary.
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Eye for Film
18 January 2011 · Val Kermode
70*
The critic praises the film as one with real heart about how life becomes more precious as it runs out, highlighting Javier Bardem's stronger, more all-encompassing performance than in any of his previous films as the standout element.
Read the full review →S
The Skinny
9 May 2011 · ★★★ · Keir Roper-Caldbeck
60
The film is relentlessly grim, with moments of cinematic beauty from the photography and a towering performance by Bardem, but ultimately leaves one wishing for some relief from the suffering.
Read the full review →H
HeyUGuys
18 May 2010 · festival review · Simon Gallagher
40*
The review finds Biutiful a tedious slog despite technical achievements and strong visuals of Barcelona's dark underbelly, but singles out Javier Bardem's mesmerizing, deeply layered performance as the film's main saving grace.
Read the full review →P
Paste
4 January 2011 · Paste Staff
40*
Biutiful piles on misery and heavy-handed symbolism without cohering into a compelling story despite its linear focus on one protagonist. Bardem and some individual scenes show promise, but the film feels like an overlong rough cut full of clichés.
Read the full review →P
The Playlist
17 May 2010 · festival review
30*
The critic calls the film impeccably acted and wonderfully shot but ultimately not particularly interesting, noting that its sprawl and lack of a central emotional anchor make it a non-starter despite Bardem's commanding lead turn.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate