Critics’ reviews

Blue Valentine (2010)

17 reviews from 17 publications. Critics’ score 75: 12 positive, 1 mixed, 1 negative.

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75
Positive
12
Mixed
1
Negative
1

Most critics find Blue Valentine a painful, convincing account of a relationship breaking down, with praise concentrated on Ryan Gosling and Michelle Williams. The reviews repeatedly credit their performances with making both the early attraction and the later resentment believable. The movement between past and present generally earns approval for showing how affection survives alongside disappointment, rather than simply explaining where things go wrong. Critics also value the film’s unsentimental treatment of intimacy and its reluctance to assign blame.

The reservations concern repetition, narrative clarity and how much its bleakness asks of an audience. Total Film finds recurring highs and lows even while admiring the performances, while The New York Times considers the non-linear storytelling muddled. The Hollywood Reporter is the sharpest dissenter, finding the close observation tedious and the aesthetic heavy-handed. The spread is wide, then, but the disagreement centres on the filmmaking rather than the leads, whose work earns praise even in the least favourable review.

Empire
3 January 2011 · Nev Pierce
85*

Blue Valentine is a raw, honest love story showing the repercussions of rash decisions and how resentments erode a relationship, cross-cutting between the couple's meet-cute and later disintegration with strong, emotionally available performances from Gosling and Williams. It is a tart antidote to candy-coated romances and far more useful than typical date movies.

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The New Yorker
26 December 2010 · Anthony Lane
85*

The critic praises the film as a rare adult love story that confronts sex, consequences, and the everyday erosion of passion without fantasy or evasion. The vital, untrammelled performances of Gosling and Williams are singled out as central to its power.

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Little White Lies
13 January 2011 · 3/4/4 · Matt Bochenski
80

The film is a heartbreaking and unsentimental relationship drama that rejects the redemptive qualities of romance and delves into the painful reality of a crumbling marriage. It contrasts the couple's early days with their later bitterness through strong performances from Gosling and Williams.

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Los Angeles Times
29 December 2010 · Betsy Sharkey
80*

The critic finds the film a painful and moving portrait of a fraying marriage rendered through intimate bookend storytelling. The emotional heft and chemistry of Williams and Gosling are singled out for making the experiment succeed.

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Radio Times
★★★★ · Trevor Johnston
80

This intimate drama offers an in-depth portrait of a marriage hitting the skids with genuine emotional credibility thanks to strong performances from Williams and Gosling. The time-skipping structure is well-observed and avoids feeling too clever while delivering an affecting recognition that love does not necessarily end even when things go awry.

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Slant Magazine
27 December 2010 · Paul Brunick
80*

The critic finds the film a viscerally raw and lyrically stylized drama of marital collapse that is devastatingly sad yet works beautifully through its contrasting visual styles for past and present, strong performances, and atmospheric details. It may prove too depressing for some but captures the emotional range effectively.

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The Independent
16 January 2011
80*

The film is an absorbing, believable portrait of a strained relationship that jumps between a frazzled present and dazzled past, depicting the start and breakdown of a young couple's bond. It stands out as a refreshing, intimate drama thanks to terrific, naturalistically convincing performances from Gosling and Williams.

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Time Out
11 January 2011 · ★★★★ · Dave Calhoun
80

The mature and moving indie captures the tug of war between new love's excitement and its slow painful death through a time-skipping structure and excellent performances by Gosling and Williams. It is a bittersweet affecting film that focuses on feelings and behaviour with smart direction and cinematography.

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Total Film
31 December 2010
75*

The film's temporal structure contrasts giddy early love with the dark present of a buckling marriage, yielding repetitive highs and lows but anchored by deep, intimate, honest performances from Williams and Gosling that feel ripped from real blue-collar life. It does not assign blame as love and its loss are never rational.

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The New York Times
29 December 2010 · A.O. Scott
60*

The critic views the film as an ambitious but ultimately muddled examination of a couple's disintegrating relationship through its non-linear structure. Williams' performance is singled out for its precision amid the narrative shortcomings.

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The Hollywood Reporter
14 October 2010 · Duane Byrge
30*

The critic calls the film a penetrating but tedious close-up of a marriage breakup, criticizing its heavy-handed aesthetic, narrative redundancy, and overall wearisome tone. Gosling and Williams deliver strong, sympathetic performances that provide the main points of interest.

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The Guardian
16 January 2011 · Peter Bradshaw

This is a cleverly told story of a doomed marriage underpinned by two outstanding central performances from Ryan Gosling and Michelle Williams. The achronological structure highlights the couple's incompatibility and the pain of their relationship's collapse, with standout scenes like their street dance and ukulele performance singled out as affecting and memorable.

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Paste
4 January 2011 · Michael Dunaway
85*

The critic finds Blue Valentine a tender and humane portrait of a disintegrating marriage that avoids punishing the audience, unlike most films in the genre. Gosling and Williams deliver standout performances, with the director's sensitive approach singled out for praise.

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Den of Geek
22 June 2011 · ★★★★ · Joseph Ewens
80

The critic finds the film raw and involving, hard to forget, praising its commitment to emotional verité and realism. The lead actors' extraordinary dedication to character through improvisation and preparation is singled out.

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The Wrap
28 December 2010
80*

The critic finds the film a compelling portrait of a collapsing marriage that offers no easy answers about why love fades. They single out the intense, raw performances by Michelle Williams and Ryan Gosling for praise, noting Williams conveys weariness while Gosling shows a sweetness gone sour.

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HeyUGuys
1 June 2010 · festival review · Simon Gallagher

The critic calls Blue Valentine the standout film of Cannes and one of the year's best overall. Strong praise goes to the lead performances by Michelle Williams and Ryan Gosling and the director's precise, visually striking handling of the parallel timelines.

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NME
28 December 2010 · 4 · James McMahon

It is a brave, uncompromising romantic drama that proves emotionally draining yet artistically commendable. The honest, unflinching tone in depicting a couple falling in and out of love, along with the nuanced lead performances, is singled out.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate