Most critics respond warmly to Brokeback Mountain as a moving account of forbidden love, with praise centred on Ang Lee’s restraint and the performances. Heath Ledger receives particular attention for making Ennis’s suppressed feelings visible without spelling them out, while Jake Gyllenhaal and Michelle Williams also earn praise. The reviews repeatedly connect the spacious landscapes with the intimacy of the story, and find Lee’s treatment of lost opportunity accessible without sacrificing emotional depth.
Reservations concern the pacing and the expansion of the source material rather than the acting. Slant Magazine supplies the clearest dissent, finding the film overlong and too politely directed, with its performers doing much of the work of sustaining it. The Guardian, by contrast, welcomes the fuller treatment of the story and the dramatic presence given to the wives. The balance is firmly positive, though Lee’s restraint strikes some as affecting and others as a limitation.
