With only 5 reviews in so far, the consensus leans positive, with praise clustering around Gallo’s rough originality, the mixture of grimness and tenderness, and Ricci’s performance. Critics find personal feeling beneath the eccentric storytelling, though they differ on how much the visual flourishes contribute. Reservations centre on Gallo’s self-indulgence and the credibility of the romance. The Guardian praises the chemistry between Gallo and Ricci; The AV Club finds the relationship contrived and the characters closer to caricatures. The divide is chiefly over whether the emotional connection survives the stylistic display.
The film is an idiosyncratic study in American miserabilism and the redemption of a beautiful loser, destined for cult status. It supplies an antidote to indie film’s fixation on killer couple road films, with a tentative, petrified holding of hands as its most transgressive act.
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