Critics’ reviews

Bullets Over Broadway (1994)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there are 3 so far.

Back to our review of Bullets Over Broadway

3 of 6
Positive
3
Mixed
0
Negative
0
Time Out
25 February 2015 · TCh
85*

The critic calls it Allen's fizziest piece in years and a merciless satire on the pretensions of theatre folk. They single out the fiercely competitive caricatures from Tilly and Wiest for praise while noting some clichés and clumsy staging but ultimately recommend seeing it.

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The Independent
13 May 1995
80*

The critic praises the rapid-fire gags and the interplay between the gangster and theater worlds in this 1920s-set comedy, highlighting strong ensemble performances especially from Dianne Wiest as the vampish leading lady.

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Empire
1 January 2000 · Colin Kennedy
75*

The review calls it a delightful diversion with a remarkable ensemble and brilliant gags, noting the vivid period atmosphere and witty dialogue as a charming addition to Allen's canon, though it lacks the depth of his best work.

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Los Angeles Times
21 October 1994 · Peter Rainer

The critic finds the film a lively theatrical and gangster satire that riffs on the nature of artistry, with Cheech as the true artist among poseurs. He praises the over-the-top performances, especially Dianne Wiest as Helen Sinclair and Jennifer Tilly as Olive.

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RogerEbert.com
28 October 1994 · Roger Ebert

The critic praises the film's clever twist involving a gangster's bodyguard who improves the play, turning a routine backstage comedy into something funnier and tougher. He highlights the strong ensemble cast, especially Chazz Palminteri's performance, and the dark humor about art and morality.

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The New York Times
30 September 1994 · festival review · Janet Maslin

The critic calls the film a bright, energetic, side-splitting comedy with vital matters on its mind, exactly the kind of sharp-edged farce Allen does best. She singles out the wild card of the gangster Cheech for making the story more than a routine comedy.

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Variety
6 September 1994 · festival review · Todd McCarthy

The critic describes the film as a clever Cyrano twist on a backstage comedy mixed with gangster elements that keeps improving and will please Allen's fans. He singles out Chazz Palminteri's delightful performance as the hit man who secretly contributes to the play.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate