Critics’ reviews

Carlito's Way (1993)

11 reviews from 11 publications. Critics’ score 75: 9 positive, 1 mixed, 0 negative.

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75
Positive
9
Mixed
1
Negative
0

Most critics respond warmly to Carlito’s Way, with praise centred on Brian De Palma’s suspense sequences and Al Pacino’s restrained performance as a gangster trying to go straight. The reviews repeatedly single out the poolroom scene and the chase sequences for their precise staging and sustained tension. Sean Penn’s supporting performance also draws praise, while several critics find unexpected tenderness in the romance between Carlito and Gail. The prevailing view is that the film gives a familiar crime story emotional weight through performance and visual skill.

Reservations concern length, familiarity and how fully Carlito is written. The New York Times finds that Pacino’s presence compensates for a vaguely drawn character. The spread is largely positive rather than sharply divided, but the Los Angeles Times offers a cooler assessment: a solid, unexciting thriller whose strongest passages arrive too late. Other reviews acknowledge the conventional plotting without finding it a serious obstacle.

Empire
1 January 2000 · Kim Newman
80*

The critic calls it a compelling gangster epic with De Palma at his virtuoso best in suspense sequences like the poolroom scene and Grand Central chase. It benefits from Pacino's haggard lead turn and strong support from Penn and others.

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Radio Times
★★★★ · Adrian Turner
80

The critic calls it another crime-doesn't-pay tale reuniting Pacino and De Palma, with Carlito aiming to go straight but drawn back into trouble by his lawyer and old contacts. It singles out the smart script, De Palma's visual flair in New York settings, and thrilling set-pieces like the subway chase and escalator sequence, along with Pacino's restrained performance.

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RogerEbert.com
12 November 1993 · Roger Ebert
80*

The critic praises the film as a strong character study of a criminal trying to go straight, highlighting De Palma's vivid set pieces like the Grand Central chase and Sean Penn's virtuoso performance as the lawyer.

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Slant Magazine
9 September 2006 · Zach Campbell
80*

The critic views the film as a fatalistic tragedy that turns the crime genre into something stylized and mythic rather than realistic. He singles out the touching romantic scenes between Carlito and Gail and the pulse-raising climactic chase sequence for praise.

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The New Yorker
15 November 1993 · Terrence Rafferty
75*

The critic views it as a conventional genre piece elevated by De Palma's imaginative visual style, singling out the intricate concluding chase sequence as one of the director's most astonishing achievements.

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The Independent
7 January 1994 · Kevin Jackson
70*

The critic finds the film an improvement on De Palma's recent work thanks to strong technique in key suspense scenes and Pacino's charismatic performance. It is otherwise a fairly standard gangster redemption tale that feels overlong and uninnovative.

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The New York Times
10 November 1993 · Janet Maslin
70*

The review finds the film succeeds more through atmosphere and De Palma's visual style than narrative detail, crediting Pacino's entertaining presence for carrying a vaguely written lead character.

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Los Angeles Times
10 November 1993 · Kenneth Turan
50*

The review calls the film a solid but unexciting mid-level thriller that lacks the energy of its stars' and director's usual work, noting its best moments arrive too late in a overlong runtime.

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Time Out
3 May 2011 · TCh

The critic describes it as a straightforward gangster tragedy about a man trying to go straight but pulled back by his past and associates. Praise goes to the set-pieces, especially the Grand Central Station climax, and Pacino's star presence, while noting the film runs long and feels like a showpiece.

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Paste
10 November 2023 · Jesse Hassenger
85*

The critic finds Carlito's Way the superior De Palma-Pacino collaboration to Scarface and possibly the director's best film overall, praising its reflective tone, suspenseful set pieces, and soulful take on a gangster trying to go straight.

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Eye for Film
27 October 2003 · Gary Duncan
80*

The critic praises the film's sense of impending doom and Al Pacino's pitch-perfect performance as Carlito, noting De Palma keeps him restrained effectively. They highlight the touching scenes with Penelope Ann Miller and the solid supporting cast including Sean Penn.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate