The reviews are unanimous: sixteen critics, sixteen positive verdicts, and most find Alexander Nanau’s documentary as gripping as a thriller. The praise clusters around the journalists’ patient investigation into Romania’s hospitals after the Colectiv nightclub fire, and around the access Nanau secures, particularly to the young reform-minded health minister. Several critics single out the same two moments: secretly filmed footage of maggots in a patient’s wound, and the survivor Tedy Ursuleanu. The observational style, with no narration, is repeatedly credited for the film’s force.
Reservations barely exist. Scores run from a lone 70 to a pair of full marks, and the lowest, from Screen Daily at the festival premiere, still calls the film accomplished and gripping; it simply praises more quietly. The only real difference is emphasis: The Independent and The Telegraph read it as a conspiracy thriller in the line of Spotlight or All the President’s Men, while Sight and Sound and Slant treat it as an argument about public responsibility and a free press.
