The critic finds the film a joyously evocative and brilliantly controlled hangout movie about Texas teens in 1976, despite its seemingly aimless quality. They single out the masterly control Linklater exerts over the naturalistic ensemble and period details.
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Dazed and Confused (1993)
8 reviews from 8 publications. We need six from publications we count before we show a critics’ score; there are 4 so far.
Linklater's affectionate comedy makes adolescence fun again by observing a single night of cruising, parties and rituals in 1976 Texas. The film is celebrated for its ensemble of well-drawn characters and euphoric drift through mid-Seventies music and mood-enhancing drugs without moralising.
Read the full review →Linklater's second feature is a funkier, more focused and much funnier mosaic of 18 hours in the lives of Texas high-schoolers than his debut Slacker. It succeeds as clever retro 70s anti-nostalgia that archives a whole slacker culture while scrupulously avoiding sentimentality.
Read the full review →The movie has scarcely any plot and no perceptible moral but conjures affection for a silly era through its ensemble of teens and measured fluency. Linklater hosts rather than directs, favoring charity and light comedy over melodrama or pop pathos.
Read the full review →The film captures the look, feel, and sound of May 28, 1976, with high school characters navigating the last day of school and an end-of-year party. Linklater's playful, unstructured spirit and moments of tenderness make up for the loose narrative.
Read the full review →Linklater’s vision of American high school life is hip, messy and wreathed in weed smoke, mining his own adolescence in the style of American Graffiti. The critic highlights the killer soundtrack and ensemble cast of future stars.
Read the full review →The teenage wasteland of 1976 Austin is scary yet giddily amusing as listless teens endure their last day of school before drinking, fighting, and humiliating each other. Linklater's followup to Slacker suffers from ennui-sodden formlessness in its smoother, higher-budget package.
Read the full review →Linklater's ensemble piece about Texas teens on the last day of school in 1976 is an amiable triumph built on small, relatable moments rather than big drama. The critic praises its authentic feel, strong performances (especially McConaughey), perfect soundtrack, and immersive period detail that makes viewers want to hang out with the characters.
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