Critics’ reviews

Dazed and Confused (1993)

8 reviews from 8 publications. We need six from publications we count before we show a critics’ score; there are 4 so far.

Back to our review of Dazed and Confused

4 of 6
Positive
4
Mixed
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Negative
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The Guardian
15 September 2023 · Peter Bradshaw
80*

The critic finds the film a joyously evocative and brilliantly controlled hangout movie about Texas teens in 1976, despite its seemingly aimless quality. They single out the masterly control Linklater exerts over the naturalistic ensemble and period details.

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The Independent
15 September 1994 · Sheila Johnston
80*

Linklater's affectionate comedy makes adolescence fun again by observing a single night of cruising, parties and rituals in 1976 Texas. The film is celebrated for its ensemble of well-drawn characters and euphoric drift through mid-Seventies music and mood-enhancing drugs without moralising.

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Empire
1 January 2011 · Steve Beard
75*

Linklater's second feature is a funkier, more focused and much funnier mosaic of 18 hours in the lives of Texas high-schoolers than his debut Slacker. It succeeds as clever retro 70s anti-nostalgia that archives a whole slacker culture while scrupulously avoiding sentimentality.

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The New Yorker
27 September 1993 · Anthony Lane

The movie has scarcely any plot and no perceptible moral but conjures affection for a silly era through its ensemble of teens and measured fluency. Linklater hosts rather than directs, favoring charity and light comedy over melodrama or pop pathos.

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The New York Times
24 September 1993 · Janet Maslin

The film captures the look, feel, and sound of May 28, 1976, with high school characters navigating the last day of school and an end-of-year party. Linklater's playful, unstructured spirit and moments of tenderness make up for the loose narrative.

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The Times
16 February 2018 · ★★★★☆ · Ed Potton

Linklater’s vision of American high school life is hip, messy and wreathed in weed smoke, mining his own adolescence in the style of American Graffiti. The critic highlights the killer soundtrack and ensemble cast of future stars.

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Variety
31 December 1992

The teenage wasteland of 1976 Austin is scary yet giddily amusing as listless teens endure their last day of school before drinking, fighting, and humiliating each other. Linklater's followup to Slacker suffers from ennui-sodden formlessness in its smoother, higher-budget package.

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Eye for Film
15 August 2020 · Amber Wilkinson
85*

Linklater's ensemble piece about Texas teens on the last day of school in 1976 is an amiable triumph built on small, relatable moments rather than big drama. The critic praises its authentic feel, strong performances (especially McConaughey), perfect soundtrack, and immersive period detail that makes viewers want to hang out with the characters.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate