Critics’ reviews

Dead Poets Society (1989)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there are 3 so far.

Back to our review of Dead Poets Society

3 of 6
Positive
3
Mixed
0
Negative
0
Empire
1 January 2000 · Angie Errigo
80*

The critic finds the film an often overlooked screen gem that radiates intelligence, humanity and warmth. She singles out Peter Weir's direction for creating a strong sense of time, place and people while imbuing simple acts with beauty and mystery.

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The New Yorker
19 June 1989 · Pauline Kael

Robin Williams gives a graceful, restrained performance as the liberating teacher whose rapport with students sparks creativity. The film is polished and on the side of youth and poetry but feels middlebrow and overly prepared, with a perception of reality like pulp fiction.

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The New York Times
2 June 1989 · Vincent Canby

The critic calls the film dim and sad, noting that the teacher character is a catalyst rather than central. Good performances from the young actors are praised, but the director is faulted for overusing fancified effects like eerie bird shots and prettily lighted scenes.

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Time Out
10 September 2012 · CM

The casting of Robin Williams as the eccentric teacher is inspired, and the script focuses on paternal prejudice against artistic pursuits rather than falling into cliché. Weir draws sensitive performances from the young cast while infusing the film with his customary mysticism.

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Variety
31 December 1988 · Variety Staff

The story focuses on the youths and how creative flames are kindled then stamped out. Director Peter Weir fills the screen with compelling teenagers; the tale sings when Williams is onscreen, and young actors like Leonard and Hawke deliver strong performances.

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Collider
27 April 2024 · 8/10 · Kendall Myers
80

The critic praises the film's timeless message of individuality and independent thought conveyed through Keating's unconventional teaching, along with Robin Williams' charming and endearing performance. Some outdated elements, including a problematic romantic pursuit subplot, are noted as flaws, but the film is still deemed a must-watch classic.

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Eye for Film
6 April 2009 · James Benefield
75*

The critic finds the film a sentimental but well-made and enjoyable story of an inspirational teacher transforming boys at a strict boarding school through poetry and 'carpe diem'. Robin Williams' performance as the charismatic professor stands out as the highlight, though the film risks mawkishness and may divide viewers.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate