
Most critics find Eastern Promises an absorbing, unsettling gangster thriller, with praise concentrated on Viggo Mortensen’s watchful performance and David Cronenberg’s controlled direction. Mortensen’s combination of menace, restraint and humanity draws approval even from reviewers who find the film disappointing. The violence supplies memorable shocks, while the attention to bodies and tattoos gives several critics more to consider than the criminal intrigue alone. The stronger notices also find tenderness and moral unease beneath the brutality.
The main disagreement concerns how much Cronenberg brings to a familiar story. Some reviews find the plotting conventional, the dialogue awkward and the supporting characters too dependent on stereotypes. The New York Times sees deliberate pacing and estrangement making the material troubling; The New Yorker finds the atmosphere airless and the violence excessive. The spread runs from enthusiastic praise to substantial reservations, though even the cooler reviews usually identify a performance or sequence worth admiring.
S
Slant Magazine
5 September 2007 · ★★★½/4 · Ed Gonzalez
88
The critic praises Cronenberg's exquisite framing and contemplation of codes of masculine honor as deliciously transgressive, while noting the story is clearer and more straightforward than recent prior works. It singles out the homoerotic tension and bodily focus for praise amid some stereotypical elements.
Read the full review →S
Screen Daily
10 September 2007 · festival review
80*
The critic calls it a brutal yet surprisingly tender thriller that Cronenberg makes entirely his own as an auteur, with a taut Hitchcockian narrative, terrific performances and classically controlled direction that should appeal beyond his usual fans.
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The New York Times
14 September 2007 · A.O. Scott
80*
The critic describes the film as a grim and violent story of London's Russian underworld that Cronenberg turns into something genuinely troubling through his mastery of estrangement, deliberate pacing, and focus on social and ethical implications.
Read the full review →A
The AV Club
13 September 2007 · B · Keith Phipps
77
The critic finds the film an engaging thriller with cool intensity and memorable shocks and acting turns, but notes it lacks Cronenberg's usual depth and feels unexpectedly bloodless overall, with a strong fight scene standing out.
Read the full review →I
The Independent
25 October 2007
65*
The critic finds the film an intriguing but somewhat mechanical gangster noir that feels staid in pacing and direction overall. They single out Viggo Mortensen's watchfully charismatic lead performance as the standout element, along with a couple of daring, memorable set pieces.
Read the full review →G
The Guardian
26 October 2007 · Peter Bradshaw
60*
Cronenberg's tale of Russian gangsters in London lacks the boldness of his best work despite strong performances and intriguing scenes like the bathhouse fight and tattooing ritual. The script feels clunky and inauthentic at times, evoking a feature-length episode of The Bill rather than fully delivering on its potential.
Read the full review →T
Time Out
9 October 2007 · ★★★ · Wally Hammond
60
The critic finds Cronenberg’s London-set mafia thriller impressive if flawed, with good influences from other directors but missing pure Cronenberg moments until the bathhouse fight scene. Viggo Mortensen’s central performance is singled out as extraordinary.
Read the full review →E
Empire
28 September 2007 · Dorian Lynskey
55*
The review calls the film a disappointment after Cronenberg's stronger prior work, describing it as pulpy and implausible despite visceral violence and strong central performance. It singles out the eye-popping bathhouse fight sequence and Mortensen's enigmatic presence for praise amid weaker supporting turns.
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The New Yorker
10 September 2007 · Anthony Lane
50*
The critic highlights the intense bathhouse fight as an astounding set piece of savagery and vulnerability but faults Cronenberg for excessive violence that spoils the balance and for creating a spooked, airless experience overall.
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Evening Standard
10 April 2012 · ******** · Ross McGuinness
The critic hails the film as gripping and unsettling, praising Mortensen's enigmatic menace and humanity in the lead role above all. They highlight the visceral nude bathhouse fight and the tense baby-in-peril sequence as standout moments.
Read the full review →I
IndieWire
13 September 2007 · Michael Koresky
The review examines Cronenberg's exploration of outer limits in the gangster genre through the story of a midwife entangled with a Russian mob family. It highlights the film's transgressive elements and performances while noting its place in the director's body of work.
Read the full review →H
The Hollywood Reporter
9 September 2007 · festival review
The critic calls the film ultraviolent, gruesome and riveting, praising Cronenberg and screenwriter Steve Knight for orchestrating an atmosphere of danger and dread in a descent into the Russian mafia underworld in London. It notes that a mood of pervasive malevolence and strong performances make it worth the ride despite stock characters.
Read the full review →D
Digital Spy
23 October 2007 · Ben Rawson-Jones
90*
Eastern Promises is a visceral and cerebral masterpiece that paints a bleak picture of London through the lens of Russian mafia violence and immigrant hardship. It features outstanding performances, particularly from Viggo Mortensen, and masterful direction that makes it possibly the best film of the year.
Read the full review →D
Den of Geek
24 February 2008 · ★★★★ · Simon Brew
80
The film is very good and ranks among the strongest of 2007, though not quite matching A History of Violence. Cronenberg excels at telling the story of Russian mafia intrigue in London, with standout performances especially from Viggo Mortensen.
Read the full review →P
Paste
14 September 2007 · Mike Isaac
80*
The critic acknowledges the film's familiar plot turns but praises how the talented cast and crew elevate them. David Cronenberg's somber vision of London and restrained style are highlighted, with Viggo Mortensen singled out for a stirring performance as a conflicted criminal.
Read the full review →E
Eye for Film
17 October 2007 · Anton Bitel
60*
The film is a solid but conventional genre thriller that falls short of the more distinctive work expected from Cronenberg. The tattooing sequences stand out as the most compelling element, exploring themes of identity and allegiance through Mortensen's nuanced performance.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate