The reviews are uniformly warm, and the praise gathers almost entirely on the look of the film. Nearly every critic singles out the hand-drawn watercolour animation, describing it as a storybook effect and a welcome rest from louder, faster cartoons. The friendship between the gruff bear and the small mouse artist is the other constant: critics call it gentle, odd and old-fashioned in the best sense, with a message about outsiders and small-town prejudice that they think lands without lecturing.
Reservations are few and small. The AV Club feels the slight story is stretched to fill a feature. Variety, the coolest of the twelve, finds it charming but pitched squarely at younger children, with only a drop of darkness to keep the adults interested. Nobody dislikes it, and the spread is narrow; the difference between the warmest and the coolest notices is one of degree rather than of kind.
