Critics’ reviews

Ernest & Celestine (2012)

12 reviews from 12 publications. Critics’ score 86: 12 positive, 0 mixed, 0 negative.

Back to our review of Ernest & Celestine

86
Positive
12
Mixed
0
Negative
0

The reviews are uniformly warm, and the praise gathers almost entirely on the look of the film. Nearly every critic singles out the hand-drawn watercolour animation, describing it as a storybook effect and a welcome rest from louder, faster cartoons. The friendship between the gruff bear and the small mouse artist is the other constant: critics call it gentle, odd and old-fashioned in the best sense, with a message about outsiders and small-town prejudice that they think lands without lecturing.

Reservations are few and small. The AV Club feels the slight story is stretched to fill a feature. Variety, the coolest of the twelve, finds it charming but pitched squarely at younger children, with only a drop of darkness to keep the adults interested. Nobody dislikes it, and the spread is narrow; the difference between the warmest and the coolest notices is one of degree rather than of kind.

IndieWire
24 February 2014 · Beth Hanna
90*

The review praises the film as a gentle and delightfully weird animated treat, highlighting its resonant themes of taboo friendship and odd-couple endurance in a sweetly strange story.

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Los Angeles Times
28 February 2014 · Betsy Sharkey
90*

The critic calls it a charming magical bonbon with a painterly watercolor touch, praising the understated mash-up of a lively tale about outsiders forging an unlikely friendship amid artistic troubles. It singles out the comforting storybook effect as a refreshing departure from hyperkinetic animation.

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RogerEbert.com
14 March 2014 · Glenn Kenny
90*

The critic finds the film the coziest of the year, praising its gentle watercolor animation style and simple story of an unlikely mouse-bear friendship that avoids Hollywood tropes. The overall integrity and message about overcoming superficial differences are highlighted as key charms.

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Screen Daily
23 May 2012 · festival review
90*

The film is a just-about-perfect hand-drawn animated feature that melds visual style and narrative pirouettes delightfully. It follows the unlikely alliance between gruff bear Ernest and artistically inclined orphan mouse Célestine, loaded with charm, adventure, and relatable hopes and fears.

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The Hollywood Reporter
23 May 2012 · festival review · Jordan Mintzer
90*

The critic calls it a delightfully old-fashioned children's film with a meaningful message and a clever, timeless tale of an improbable friendship between a bear and a mouse.

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The New York Times
13 March 2014 · NYT Critic’s Pick · Manohla Dargis
90*

The review celebrates the lovely animated tale of interspecies friendship between a tiny mouse artist and a bear, based on children's books, noting its ode to individuality, pluck, and happiness with those different from us. It singles out the push and pull between childlike safety and adult perils as stirring the heart.

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Vulture
14 March 2014 · Bilge Ebiri
85*

The film is described as a profoundly civilized and beautiful children's fable with a wise, grown-up heart, full of visual whimsy and a graceful message of acceptance.

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The AV Club
27 February 2014 · B+ · Mike D'Angelo
83

The critic finds it an endearingly nutty hand-drawn delight with whimsical sensibility and tender relationship at its core, though it stretches to feature length.

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Slant Magazine
2 December 2013 · Wes Greene
80*

The review highlights how the film refuses to characterize the central friendship solely on isolation and praises its self-reflexive animation and endearing fable about outcasts carving their own path.

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Variety
70*

The review describes a charming animated feature with a teensy drop of darkness in its tale of interspecies friendship between a mouse artist and a bear musician-poet, adapted from children's books. It notes the 2D aquarelle-style graphics and skew toward younger audiences while highlighting the meet-cute and scrapes with authorities.

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The Wrap
28 February 2014
90*

The critic calls the film a delightful animated import that mixes wit, warmth and watercolor visuals to spin a charming tale for all ages, offering whimsy for kids and wit for grown-ups. They single out the visual treats like the underground mouse village and the moving, sweet climax.

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Eye for Film
6 October 2012 · Anton Bitel
80*

The critic praises the film's exposure of small-town prejudice and celebration of artistic sensitivity, while noting its elegant storybook animation style and inventive sequences of collaboration between the bear and mouse protagonists.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate