Critics’ reviews

Fall 2: Deadpoint (2026)

8 reviews from 8 publications. Critics’ score 58: 3 positive, 2 mixed, 1 negative.

Back to our review of Fall 2: Deadpoint

58
Positive
3
Mixed
2
Negative
1

The reviews lean towards qualified approval of Fall 2: Deadpoint’s survival thrills, with most critics finding enough vertigo and physical peril to make its familiar setup work in stretches. Praise centres on the high-altitude action and the women’s resourcefulness, though the effectiveness of the climbing sequences is disputed. Variety also singles out the lead performances, particularly Arsema Thomas, as a strength amid the contrivances.

The reservations cluster around recycled conflicts, thin characterisation and dialogue, with several critics finding the sequel less suspenseful than the original. There is a substantial spread of opinion on the storytelling: /Film welcomes the expanded twists and soap-opera elements, finding intrigue and satisfying payoffs after a bumpy start. The Observer takes the opposite view, finding a tired formula that has lost its queasy tension. Unconvincing effects attract criticism too, although some reviews find the physical thrills sufficient compensation.

Variety
2 September 2026 · Todd Gilchrist
75*

The critic finds the sequel mostly successful at replicating the original's vertiginous tension and delivering white-knuckle thrills through believable stunts, but hampered by duplicating the first film's personal conflicts and narrative twists, which feel contrived and undermine the suspense. Praise goes to the effective big-screen thrills and strong lead performances, particularly Arsema Thomas.

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Empire
9 September 2026 · John Nugent
70*

The sequel delivers effective vertigo-inducing thrills and sweaty-palm tension but feels scrappier and more generic than the first film, with basic dialogue and simplistic character work. It singles out the high-wire action sequences, especially one monkey-bar swing at extreme height, for praise as brutally effective.

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The AV Club
2 September 2026 · C- · Simon Abrams
50

The critic finds it an underwhelming sequel with rushed pacing, flat dialogue, and insufficient tension in climbing sequences despite some twists; praises the few dizzying climbing scenes but notes overall lack of focus compared to the original.

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The Observer
12 September 2026 · Wendy Ide
30*

The critic finds this sequel lacklustre and a tired retread unlikely to repeat the original film's success. She notes that a rigid adherence to the formula leaves the queasy tension missing and calls out the added drug-running subplot as inauthentic.

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Radio Times
12 September 2026 · 3 out of 5 · Jeremy Aspinall

The Spierig brothers' direction brings a catalogue of threats and obstacles in a different tempo from the original, with breathless edge-of-the-seat moments from the women's ingenuity against the elements. Less convincing special effects are offset by the visceral high-stakes survival thrills in this disaster sequel.

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Time Out
9 September 2026 · 3 out of 5 stars · Hanna Flint

The sequel delivers cheap thrills and high-octane silliness as two women tackle a dangerous plank walk on a Thai mountain, but it rehashes the original's premise with paper-thin characters and overreliance on flashbacks. The nail-biting survival efforts stand out as wincing to watch amid the daft elements and drug subplot.

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/Film
2 September 2026 · 7/10 · Bill Bria
70

The critic finds 'Fall 2: Deadpoint' a successful sequel that expands the series with wilder stakes, double the twists, and a shift toward soap-opera elements while remaining connected to the original. It singles out the script's intrigue and payoffs for keeping the nail-biting thriller engaging despite a bumpy start and some CGI limitations.

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The Wrap
2 September 2026
55*

The critic views the sequel as a familiar, schlocky follow-up that can't escape repetition of the original's beats and suffers from less suspenseful rock-face visuals. The energetic climax provides some rescue and allows forgiveness for its absurd, Die Hard 2-style premise.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate