Critics’ reviews

Fast Times at Ridgemont High (1982)

7 reviews from 7 publications. We need six from publications we count before we show a critics’ score; there are 4 so far.

Back to our review of Fast Times at Ridgemont High

4 of 6
Positive
2
Mixed
1
Negative
1
The New Yorker
25 October 1982 · Pauline Kael
75*

Kael describes the film as not-bad and likable for a youth-exploitation movie, with an open, generous tone under Heckerling's direction. She singles out Sean Penn's star-making performance as the surfer-doper Spicoli.

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The New York Times
3 September 1982 · Janet Maslin
70*

Maslin finds the film a jumbled but appealing teen comedy with a fresh perspective on high school life. She singles out Sean Penn's scene-stealing turn as the surfer Spicoli for particular praise.

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Variety
31 December 1981 · Variety Staff
60*

The review notes the film lacks gripping elements despite its literary origins but finds pleasant characters overall. It singles out Sean Penn's joy to watch as the spaced-out surfer and Judge Reinhold's terrific work as a straight kid in fast-food jobs.

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RogerEbert.com
1 January 1982 · Roger Ebert
20*

Ebert calls the film a failure of taste, tone, and nerve, criticizing its raunchy vulgarity and exploitation of young performers in humiliating situations. He singles out Jennifer Jason Leigh's fresh performance for praise while noting Sean Penn is perfect as Spicoli.

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Empire
1 January 2000 · Emma Cochrane

The critic finds the film lewd, funny and immensely quotable, calling it one of the very best high school dramas ever made. They single out Cameron Crowe's witty script and the strong early performances from future stars including Sean Penn, Nicolas Cage and director Amy Heckerling.

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The Hollywood Reporter
11 August 1982 · Gina Friedlande

The critic finds the film warm and engaging, distinguishing it from other teen comedies through its heartfelt take on adolescence. Heckerling is singled out as a gifted director who balances comedy and emotion effectively.

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Time Out
26 November 2014 · DP

The film is essentially a sex-and-fun exploitation movie with school stereotypes, a rock score and focus on dating rituals. It is a relatively witty example of its kind with an enjoyable Sean Penn performance, but lacks the frenzied energy of competitors like Porky's.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate