Critics’ reviews

Field of Dreams (1989)

7 reviews from 7 publications. We need 6 from publications we count before we show a critics’ score; there are 5 so far.

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5 of 6
Positive
4
Mixed
1
Negative
0
RogerEbert.com
21 April 1989 · ★★★★/4 · Roger Ebert
100

The critic praises the film's brave, Capra-esque embrace of fantasy and dreams centered on baseball as a symbol of innocence and redemption. Costner and Madigan ground the story as a believable couple sharing visions, with strong supporting turns from Jones and Lancaster.

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Time Out
10 September 2012 · CM
85*

The film is often beautiful and uses baseball as a metaphor for father-son bonding without sentimentality. It examines the ideological conflict between the 1960s and 1980s while balancing whimsy with gravity through humour and strong performances.

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Empire
1 January 2000 · Mat Snow
80*

The critic finds the film a resonant fable about reconciliation, lost innocence and second chances that updates classic Hollywood magic. The healing climax scene against the cornfield at sunset is singled out as particularly moving.

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Los Angeles Times
21 April 1989 · Michael Wilmington
70*

The review calls it one of the most heartfelt major-studio films in recent memory, presenting baseball as a sacrament for generational reconciliation. However, it notes something tentative and uncertain in the execution, making the magic trick visible.

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Variety
1 January 1989 · Variety Staff
60*

The film is described as alternately affecting and affected, a fable of redemption using baseball's mythos. Despite a script with cloying aphorisms and sentimentality, it sustains a dreamy mood distilling baseball to its essence of innocence.

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The Hollywood Reporter
17 April 1989 · Duane Byrge

The critic finds the film a big-hearted, fanciful story about life more than baseball that will divide viewers but succeeds thanks to Kevin Costner's leg-it-out intensity and kidlike enthusiasm. Costner's performance carries the film past its mechanical moments, with strong support from the cast and technical elements evoking a Spielberg glow.

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The New York Times
21 April 1989 · Critic's Pick · Caryn James

The film is lauded as an idealistic work that turns sentimentality into true emotion through smart writing, beautiful filming, and perfect acting. It treasures American icons like baseball and farmlands while carrying their emotional weight into the 1980s.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate