Critics’ reviews

Finding Neverland (2004)

10 reviews from 10 publications. Critics’ score 59: 5 positive, 1 mixed, 4 negative.

Back to our review of Finding Neverland

59
Positive
5
Mixed
1
Negative
4

The reviews split almost down the middle, and the praise, where it comes, lands on the same things. Most admirers point to Johnny Depp’s Barrie, played as a grown man who never quite left the nursery, and to Kate Winslet opposite him; the young Freddie Highmore is mentioned more than once. Marc Forster’s direction is credited for the way the boys’ games in the garden slide into fantasy and back without the joins showing, and several find the mix of comedy and grief handled with tact.

The doubters watch the same film and find it sugary. Maudlin and saccharine are the words that recur, along with the complaint that it is a period piece too polite to look at what it skirts. The Guardian goes further and calls Depp torpid, which nobody else does. The spread is wide, from the highest possible rating to something near the floor, with only one review in the middle, which suggests the whimsy either works on a viewer or grates from the first scene.

RogerEbert.com
18 November 2004 · ★★★★/4 · Roger Ebert
100

The film tells the story of J.M. Barrie finding inspiration for Peter Pan through his relationship with a widow and her sons. Depp's nuanced performance as the childlike Barrie is singled out for making the character believable and moving.

Read the full review →
Empire
29 October 2004 · Olly Richards
85*

The critic praises the film's elegant storytelling blending comedy and tragedy, highlighting Marc Forster's visual ingenuity in blending fantasy with the Victorian setting and strong performances, especially by Johnny Depp, Kate Winslet, and young Freddie Highmore.

Read the full review →
Los Angeles Times
12 November 2004 · Carina Chocano
80*

Forster’s loving take on Barrie’s relationship with the Llewelyn Davies family is gently seductive and moving without being maudlin. Depp and Winslet’s rare combination of airiness and intelligence is singled out as making their intellectual connection convincing.

Read the full review →
Time Out
10 September 2012 · WH
70*

The critic notes Forster's sensitive direction in telling the story of JM Barrie and Sylvia Llewelyn Davies, praising the performances especially from Depp, Winslet, and supporting cast, while highlighting effective fantasy-reality fusions in garden scenes; however, the film is hampered by an awkward decorum around unmentioned themes.

Read the full review →
The New York Times
12 November 2004 · Manohla Dargis
50*

The handsome film about Barrie and his inspirations is steeped in melancholy but features Depp moseying forward with vague purpose. The director and actors have not been pushed to their limits in this genteel holiday movie.

Read the full review →
Evening Standard
10 April 2012 · Will Self
40*

The critic finds the film sweet on first viewing but ultimately saccharine and wooden, appreciating some performances and imaginative elements but criticizing its overly whimsical, Merchant-Ivory-style period approach and lack of deeper texture.

Read the full review →
The AV Club
8 November 2004 · Nathan Rabin
30*

The film is a maudlin, leaden biopic about the relationships that inspired J.M. Barrie to write Peter Pan. It fails to imbue its portrayal of childhood wonder with the requisite pixie dust and displays little imagination of its own despite the theme.

Read the full review →
The Guardian
29 October 2004 · Peter Bradshaw
30*

The film is a sugary, speculative biopic of JM Barrie that retreats from adult themes into a toybox world of imagination, which is pedantically and unimaginatively portrayed. Depp's torpid performance and the platonic relationships are among the elements singled out for criticism.

Read the full review →
Slant Magazine
5 November 2004 · Nick Schager
25*

Marc Forster’s film is a pointless exercise in faux-biopic cleverness and a cloying ode to the power of imagination that is as subtle as Captain Hook. The cumbersome Finding Neverland never gets off the ground, hampered by a stuffy literalism and maudlin material.

Read the full review →
Eye for Film
29 October 2004 · Emma Slawinski
85*

The critic finds it difficult to say anything bad about this respectful and ingenious treatment of J.M. Barrie's story and his friendship with the Llewelyn Davies family. It is engaging, funny, visually sumptuous and capable of melting even a hardened cynic's heart.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate