Fire of Love (2022)

The critic calls it a gorgeous and affecting documentary that captures the beauty and danger of the natural world through the volcanologists' marriage and self-shot footage. Singles out the masterful editing of the archival material and the score.

Sara Dosa's documentary captures the Kraffts as co-authors of their story through their own spectacular footage of volcanoes. It is a haunting romance shadowed by tragedy that preserves their idiosyncratic presence.

The film is a poignant and illuminating tribute to the Kraffts, honouring their determined lives and loves with curiosity and care. It lends tenderness and poetry to the archive footage while highlighting their ambition and intelligence.

Dosa brings wit and style to a madly compelling profile of the Kraffts that springs surprises with its narration and visual approach. Sadness is not the dominant flavour; instead the film smiles through their adventures from the start.

The film is a visually poetic documentary about the Kraffts' shared obsession with volcanoes and each other. It stands out for its total-cinema approach that creates an aesthetic vibe around their archive footage and lives.

Sara Dosa's documentary showcases the most spectacular volcano footage ever shot while telling the moving story of the Kraffts. It is an amazing, romantic portrait of obsession touched with lyricism.

The documentary is a tragic, cinematic, poetic smorgasbord that reminds viewers of humanity’s delicate relationship with nature through the Kraffts’ story. It singles out the couple’s childlike playfulness and delight in the power of volcanoes for praise.

The visually entrancing film chronicles the Kraffts' magnificent obsession with volcanoes and each other. It uses their archive to forge a clear narrative that moves from romantic comedy to somber reflection.

The critic praises the extraordinary archive footage and Sara Dosa's celebratory portrait of the couple's explosive romance and scientific dedication. Miranda July's poetic narration and quirky animated sequences are noted as lovely cinematic touches.

The critic praises the gorgeously photographed and dreamily constructed portrait of the volcanologists' doomed love story and their footage. Singles out the astonishing archival footage and the poetic narration.

The critic describes the documentary as spectacular and thrilling, an elemental tribute to obsession and human powerlessness before nature. Miranda July's dreamy voiceover and the couple's daring footage are singled out for creating a sense of wonder.

The critic notes that the film confidently oscillates between the playfully on the nose and the existentially profound in its treatment of nature as both romantic symbol and existential force. Singles out the archival footage and Miranda July's narration for creating a dreamy yet probing portrait.

The film embraces the mythology of the Kraffts as passionate lovers of each other and volcanoes who died together in the 1991 Mount Unzen disaster. It celebrates their countercultural spirit and daring work but suggests it underplays elements of a danger or death cult compared to Herzog's approach.

The critic finds Dosa's approach modest and sensitive in its tribute to the volcanologists, awed by both the volcanoes' beauty and the couple's risk-taking. July's narration is noted as sometimes lending a precious quality, but the archival materials and human-interest angle are strengths.

Dosa crafts an elegantly awestruck tribute to the Kraffts using their spectacular footage, giving the eccentric couple an Anderson-esque treatment. The film renders their lifelong quest with ravishing coffee-table allure but does not deeply probe their relationship or demise.

This expansive documentary about the Kraffts is furiously compelling as a dreamy tone poem and scientific inquiry drawn from their archive footage. Sensitive narration by Miranda July asks huge questions about love and relationships in the face of death, though the couple's demise confers a sickening weight.

The critic calls the film a slick and moving portrait of the monomaniacal couple but finds the romantic thesis overly ornate and hollow, with the voiceover narration feeling affected. The incredible landscape footage is highlighted as a strength.

The critic finds the archive footage of volcanoes mesmerising but faults the film's storytelling for failing to fully develop the Kraffts as characters or realise the material's visual potential. Miranda July's narration is praised as magnificent.

The critic praises the film's stunning volcanic footage and how it lets viewers appreciate nature's power like the Kraffts did; highlights the mesmerizing visuals over heavy messaging.

Praises the stunning footage bringing nature to life and the quirky, informative approach to the couple's work and relationship.

Calls it a mesmerizing account using incredible archival footage; singles out the hypnotic lava visuals and the human story of the couple.