Critics’ reviews

Ford v Ferrari (2019)

21 reviews from 21 publications. Critics’ score 73: 7 positive, 3 mixed, 0 negative.

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73
Positive
7
Mixed
3
Negative
0

Most critics find Ford v Ferrari an entertaining, old-fashioned sports drama, with praise concentrated on the racing sequences and the partnership between Christian Bale and Matt Damon. Bale’s eccentric Ken Miles draws particular attention, while the contrast between the leads gives the mechanical and corporate detail a human centre. The reviews generally credit James Mangold with making the on-track action gripping and physically immediate, even when the story follows familiar genre beats.

The main disagreement concerns how much the performances and racing compensate for the formula. Reservations cluster around sentimentality, cautious storytelling and stretches that could be tighter, with responses ranging from enthusiastic approval to sharper dissatisfaction. /Film finds the action thrilling but the scenes off the track dull and clichéd. Slant Magazine is more resistant to the nostalgic treatment of the car industry, though it welcomes the cynicism about corporate interference.

Empire
11 November 2019 · Nick de Semlyen
80*

The critic praises the film's high-velocity bromance powered by zesty acting and Mangold’s meticulous direction, while highlighting the gripping racing sequences in the final act and the contrasting central performances of Bale and Damon.

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Radio Times
14 November 2019 · ★★★★
80

The critic praises the film's playful energy, Bale stealing the show as the eccentric driver, and the exhilarating racing climax that makes it a sure-fire crowd-pleaser.

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The New Yorker
8 November 2019 · Anthony Lane
80*

The critic calls it James Mangold’s strongest film yet, a character study strapped into an action flick that explores pride and rivalry between the leads and their corporate bosses.

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The Times
15 November 2019
80*

The critic calls the film a frequently silly but richly entertaining and hoot-worthy romp with a gleefully larger-than-life performance from Christian Bale as Ken Miles. The cockpit scenes, Bale's comic timing and the climactic race sequences are singled out for praise despite tonal oddities.

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Total Film
15 November 2019
70*

The critic highlights the full-throttle racing sequences and charismatic performances as strengths, noting that they fuel an otherwise standard sports movie, with the film delivering most effectively in its physical, on-track elements.

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Little White Lies
14 November 2019 · 4/3/3 · David Jenkins
60

The critic calls it solidly entertaining Friday-night pulp with strong performances, especially Bale's, but notes it is risk-averse and does not push boundaries.

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The Telegraph
14 November 2019 · ★★★
60

The critic views the film as an old-fashioned, luxuriantly mounted Hollywood drama about men, cars and masculinity that will appeal to petrolheads, with strong character work from the leads. The visual style and central performances are highlighted positively amid a mixed overall verdict.

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Variety
30 August 2019 · festival review
60*

The review notes the story of competitive friendship between the leads but criticizes the lack of focus on Ferrari and corporate meddling as the main conflict, while praising the racing sequences.

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Screen Daily
10 September 2019 · festival review

The critic describes it as a dynamic, precision-engineered crowd-pleaser with visceral racing sequences and appealing performances from Bale and Damon that ground the story in personalities and process.

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Sight and Sound
17 September 2019 · Beatrice Loayza

The critic finds the drama formulaic and sentimental but notes that testosterone-fuelled racing scenes and the lead performances salvage it from its duller moments.

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Slant Magazine
11 September 2019 · Jake Cole

The critic finds the film a lethargic epic that plays to nostalgic reveries of the auto industry's golden age but praises its added cynicism about corporate interference undermining individual achievement. It notes strong moments balancing racing drama with behind-the-scenes conflict in the final act.

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The Guardian
16 November 2019 · Peter Bradshaw

The critic finds the film a slick, thrilling and well-paced sports biopic that effectively frames the Ford-Ferrari rivalry as a clash between mavericks and corporate suits. The race sequences and the sparky central friendship between the leads are singled out for praise.

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The Hollywood Reporter
30 August 2019 · festival review · Todd McCarthy

The critic calls it a full-bodied and exciting true-life story in which the men behind the wheels are just as dynamic as the machines they drive. Fine lead performances by Christian Bale and Matt Damon anchor a well-built vehicle with strong dramatic and historical underpinnings and a sure directorial hand.

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The New York Times
14 November 2019 · Critic's Pick · A.O. Scott

The critic finds the film a pleasant surprise and solid, satisfying real cinema, praising the lead performances by Christian Bale and Matt Damon along with the boardroom and racing drama interplay.

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Vulture
15 November 2019

The critic hails the film as an old-fashioned rouser with new-fashioned virtuosity, praising Mangold's hyperkinetic yet honorable style that puts viewers inside the cars. It highlights the heroes' physics-savvy expertise and the cannily underdog American premise against corporate interference.

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Collider
15 November 2019 · A- · Adam Chitwood
90

The critic calls the film a rousing and compelling racing drama that rises above its formulaic structure through Mangold’s sharp execution, masterful craft, and expert performances. Damon and Bale’s chemistry and the outstanding racing sequences are singled out for particular praise.

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Den of Geek
18 November 2019 · ★★★★ · Richard Jordan
80

The critic praises the thrilling racing sequences and the chemistry between Bale and Damon as a likeable double-act in this underdog sports tale, while noting it follows familiar genre beats and could be tighter.

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Deadline
12 November 2019 · Pete Hammond

Mangold delivers a smashing, crowd-pleasing entertainment that excels as both a racing drama and a character study of two mavericks battling corporate suits. The film is praised for its top-notch cast, especially Damon and Bale, along with expert direction, script, and crafts that make it big-screen moviemaking at its finest.

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/Film
10 September 2019 · 7 out of 10 · Chris Evangelista

The critic finds the film thrilling and exciting whenever it is on the track but dull and clichéd off it, with a paint-by-numbers script. They single out the cast performances, especially Bale’s energetic turn as Miles, for praise amid the mixed verdict.

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Film Stories
14 November 2019 · Mark Harrison

The critic calls it 2019’s most purely exhilarating night out at the cinema, an old-fashioned rip-roaring studio movie elevated by Mangold’s direction. They single out the superb racing scenes and the winning double-act of Damon and Bale for particular praise.

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The Wrap
30 August 2019 · festival review

Mangold’s film is a joyful celebration of the kind of big-studio, character-driven movie with spectacular racing sequences that Hollywood too rarely makes anymore. It singles out Bale’s transformative performance as the volatile driver Ken Miles and the chemistry between the leads for making the story sing.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate