Four Weddings and a Funeral (1994)

Extremely funny, charming and poignant with a superb screenplay and deft direction. Standout performances make it hugely enjoyable and a game-changer for British comedy.

The film is a delightful and sly comedy about an extended group of friends whose lives revolve around attending weddings and one funeral. It forms a community that envelops the viewer through subtle character introductions and strong ensemble performances, especially Hugh Grant's endearing awkwardness.

This deft English comedy is elegant, festive and very, very funny, a remarkable tightrope act that confines its central love story to the events in the title. It features Hugh Grant in a career-making role as a suave yet hapless best man.

The film proves there is no substitute for professionalism and a first-rate script, emerging as possibly the most 'British' modern film committed to celluloid. It is funny, agreeably sweet and exceptionally well acted and directed, with Hugh Grant a charming revelation despite some sops to the US market and clichés.

The critic calls the film a highly expert and entertaining comedy of middle-class manners that is full of irony and shrewdness, and one of the least embalmed contemporary comedies around. He praises Hugh Grant's marvellous performance and the near-perfect casting overall, along with director Mike Newell's pace and verve, while noting that Andie MacDowell's performance does not quite match the rest of the cast.

A classy, commercial and very funny British comedy with smooth direction and emotional honesty, especially in the funeral scene. Genuine feel-good entertainment despite conventional attitudes.

The film is a diverting, crowd-pleasing romantic comedy that makes a virtue of its simple shooting style and focus on ceremonial occasions. It praises Hugh Grant's impeccable comic timing while noting the privileged, upper-middle-class characters and lightweight nature, but highlights fine touches that make it celebratory overall.

The critic finds the film a smarmy fable about true love with lazy romanticism and no chemistry between leads. Supporting cast, especially Kristin Scott Thomas, fares better, but overall the comedy falls flat.

The romantic comedy is layered with an inner unkindness and coated with snide incivility that saps its merriment, though it may win mixed applause from select audiences. The lead romantic characters are not sympathetic, with the male lead in particular described as unredeemably callous.

The critic calls the film a masterpiece and modern classic that launched careers and set the bar for British rom-coms. They praise the witty script by Richard Curtis, Mike Newell's direction, and the engaging ensemble cast including Hugh Grant, Kristin Scott Thomas, and others for their memorable performances.