Most critics are won over: twelve of the thirteen reviews are positive, and the praise gathers in the same place. The climbing footage, shot by a crew hanging beside Honnold on El Capitan, is credited with producing real terror and suspense, and the final ascent is repeatedly named as the film’s strongest passage. Several reviews also welcome the decision to widen the frame, to Honnold’s childhood, to his relationship with his girlfriend, and to the crew’s own qualms about filming a man who might fall.
The reservations are scattered and mostly mild. The AV Club finds the attempts to explain Honnold’s motives pat; Variety thinks him a cold presence and the build-up overlong; The Hollywood Reporter senses a brand exercise beneath the vertigo. The spread is narrow but for one outlier: Little White Lies objects to the film’s celebration of masculine individualism and its casting of Honnold’s partner as an obstacle.
