Friendship (2025)

The critic finds the film an excruciatingly awkward but hilarious comedy. They single out Tim Robinson’s distinctive performance and Paul Rudd’s outstanding turn.

Ehrlich calls it one of the year’s funniest comedies, though some scenes feel insufficiently strange. He praises Tim Robinson’s comic performance and the film’s carefully balanced absurdity and dramatic intent.

Strong finds the film an offbeat, cringe-inducing comedy rather than a consistent knee-slapper. She praises Tim Robinson’s portrayal of Craig and the film’s unsettling, unpredictable energy.

McGeady finds the film nose-bleedingly funny and frequently discomfiting. He singles out Tim Robinson’s performance as a showcase for the comedian’s distinctive talent.

Nicholson finds the film a terrific, painfully funny portrait of male loneliness, though it sometimes keeps its other characters psychologically shallow. She especially praises the comic chemistry between Tim Robinson and Paul Rudd, which makes even an ordinary Subway order funny.

The critic finds the comedy impressive and genre-fluid, though its sketch-like structure sometimes wears thin. Tim Robinson’s cringe-perfect performance is singled out as a particular strength.

The critic finds the film engaging and funny, though its deliberately uncertain comic approach can become exhausting. They praise its sharp skewering of the rituals that estrange men from their emotions.

The critic finds the film a gleefully discomfiting comedy that delivers some of the year’s biggest laughs. He praises Tim Robinson’s finely balanced performance, while noting that the plot is thin and the last act could use more momentum.

Willmore finds the film funny and effective, while noting it stays within familiar Tim Robinson territory. She particularly praises the comedic cul-de-sacs and Robinson’s ability to make ordinary missteps suspenseful.

Oller finds the film intermittently funny but too shallow and repetitive to sustain an intimate viewing. He praises the comic chemistry between Tim Robinson and Paul Rudd, along with a memorable psychedelic toad sequence.

Bradshaw finds the comedy’s absurdist turn divisive at first but increasingly effective, with male inadequacy as its central point. He praises Tim Robinson’s cringe-inducing performance, while faulting the female characters for being under-imagined.

The review presents the film as a cringe comedy about a bromance gone sour, but its overall critical verdict is unavailable in the accessible excerpt. It singles out Robinson’s first major feature role as notable.

Weitzman presents the film as a funny, awkward comedy built around bad choices. She singles out Paul Rudd as a joy to watch.

Gleiberman finds the film’s cringe comedy increasingly incoherent and less funny when stretched to feature length. He praises Paul Rudd’s appealing performance, but says Tim Robinson’s character eventually shuts viewers out.

The critic calls the film an unforgettable, potentially cult-classic comedy and says it may be the best comedy of the past decade. They single out its originality, Robinson’s comic performance, and an especially funny scene they avoid spoiling.

The review calls Friendship the funniest film of the year and praises its distinctive, escalating comedy. It singles out Tim Robinson’s performance and the film’s carefully crafted jokes, with Paul Rudd and Kate Mara also playing effectively against the strangeness.

The critic calls Friendship a hilarious comedy poised to become a cult favorite. They especially praise Tim Robinson’s comic delivery and Andrew DeYoung’s writing, while also highlighting the supporting cast.

Boyle finds the film a delightful, vulnerable, and agonizing comedy that should especially appeal to fans of Tim Robinson. He praises Kate Mara’s sincere, grounded performance for helping the film maintain its tone amid the chaos.

Martin praises the film as an absolutely hilarious, insightful showcase for Tim Robinson, while arguing Craig’s loneliness comes from his own social failures rather than a broader male epidemic. He singles out Paul Rudd’s increasingly insecure foil as a source of added depth and comic contrast.

The headline presents the film as a riotously funny, absurdist cringe comedy. It singles out Tim Robinson’s performance, but the article text was inaccessible, so the full review verdict could not be verified.

The critic calls the film a delightful, cruel, and nihilistic cringe comedy. He praises its slow-boil tension and the way Tim Robinson’s character’s self-defeating behavior drives the laughs.

The critic finds the dark bromance funny, subversive, and enjoyably cringe-inducing. They single out Paul Rudd’s charming contrast with Tim Robinson and Robinson’s physical comedy for praise.

Worthington finds the dark comedy nastily effective, though its joke and character dynamics lose impact over time. He particularly praises Tim Robinson’s consistent, committed portrayal of Craig’s escalating social inadequacies.