Critics’ reviews

From Dusk Till Dawn (1996)

8 reviews from 8 publications. We need six from publications we count before we show a critics’ score; there are 2 so far.

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Positive
2
Mixed
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Negative
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Radio Times
★★★★ · Alan Jones
80

This splatter-action horror delivers sharp dialogue, excessive violence, great effects, and bad taste with stylish verve as crooks take hostages and face vampires in a sleazy bar. Energetic filmmaking and engaging performances make it a hilarious, raucous gore-fest.

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Time Out
10 September 2012 · TCh
80*

The critic recommends going in blind for maximum effect and highlights the film's over-the-top mix of gun-crazy sleaze, macho mayhem, and vampiric strippers. Rodriguez is praised for inventive kills and turning Clooney into a star while giving Tarantino a decent performance.

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Empire
1 January 2000 · Mark Salisbury

The critic calls it a rollicking, slam-bang piece of entertainment that fuses guns and vampires for a blood-soaked blast. They single out the fun monster mash and strong performances, especially George Clooney's.

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Los Angeles Times
19 January 1996

The review describes the film as a film nerd’s fever dream mixing mismatched genres and styles, with the first hour focused on bank-robbing brothers holding hostages and the second delivering frantic bloody mayhem. It praises the craftsmanship of the fight sequences but calls the overall conceit road kill.

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The Hollywood Reporter
18 January 1996 · David Hunter

The film starts promisingly as a tense crime drama but turns into an overblown, grotesque horror-comedy that fails to deliver. Rodriguez's hyper-kinetic mayhem and excessive gore leave a lasting impression of revulsion rather than substance.

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The New Yorker
29 January 1996

The film is seen as a modestly berserk action picture that delivers expected unnatural disasters with confidence after an entertaining opening, though the second half turns cheesy and derivative of Night of the Living Dead. Rodriguez's wild action sequences and editing nearly redeem the sluggish first half.

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The New York Times
19 January 1996 · Janet Maslin

The critic finds the first hour promising and down-and-dirty as the Gecko brothers take hostages and head for Mexico, but notes the film raises questions about its violent, profane style. She highlights George Clooney's star potential and the pitch-black satire in the early sections.

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Variety
21 January 1996 · Todd McCarthy

The critic calls it a deliriously trashy, exuberantly vulgar exploitation picture that will appeal to teenage boys with its road-kill and vampire gorefest elements, while noting it provides potent box office potential for the target audience. George Clooney's star-making performance is singled out as a center of gravity amid the juvenile gross-out material.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate