Most critics find Ghostbusters II an easy, likeable comedy, and the praise clusters on the cast rather than the plot. Bill Murray’s wisecracking is singled out again and again, with Rick Moranis and the courtroom scene picking up mentions, and one contemporary notice finds it funnier and less extravagant than the original. A run of later reappraisals argues it is far better than its reputation and holds up as a sequel that wisely changes little.
The reservations are about exactly that. A clear minority calls it a lazy retread with a convoluted story, a cast going through the motions and cartoonish set pieces, the Statue of Liberty finale chief among them. The spread is wide: the Los Angeles Times finds the climax tops the first film’s, while Collider considers the whole thing a forced remake. The dissent does not split neatly by date; admirers and detractors turn up in both the original notices and the retrospectives.
