Critics’ reviews

Gods and Monsters (1998)

9 reviews from 9 publications. We need six from publications we count before we show a critics’ score; there are 4 so far.

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4 of 6
Positive
4
Mixed
0
Negative
0
Empire
1 January 2000 · Kim Newman
80*

The film is a meticulous adaptation rooted in the last days of James Whale, with a fictional relationship that speculates on his death and career. McKellen delivers an Oscar-worthy performance as Whale, and Fraser surprises in the listening role, with the story going straight for the heart in a beautiful finale.

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The AV Club
29 March 2002 · Keith Phipps
80*

Ian McKellen dominates as James Whale in this adaptation of the novel about the director's final days and his relationship with a yardman. The critic praises McKellen's sharp performance, Brendan Fraser's contribution, and Bill Condon's integration of themes and flashbacks that deepen the drama.

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The Guardian
26 March 1999 · Jonathan Romney
80*

The film offers a wry, insightful look at the grandeur and misery of old Hollywood through the story of director James Whale. It praises the strong performances, particularly by Ian McKellen and Brendan Fraser, and the evocative imagery, while noting some unevenness in the script.

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RogerEbert.com
4 December 1998 · Roger Ebert
75*

The film is a good-hearted speculation on the final days of director James Whale, focusing on his relationship with a young gardener. Ebert praises the performances and empathetic tone but finds it not particularly deep or powerful.

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Sight and Sound
1 April 1999

The film is a thoughtful and entertaining dramatic portrait of James Whale, focusing on his final weeks and a tentative relationship with his gardener. It plays variations on Frankenstein metaphors and brings a memorable creation to life through strong performances.

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The New Yorker
2 November 1998 · Anthony Lane

The film offers a shrewd, precise portrait of James Whale's final days, drawing on his own work and Hollywood history. Brendan Fraser's presence guarantees its grandeur as Whale finds a level-headed companion reminiscent of his monster.

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The New York Times
4 November 1998 · Janet Maslin

Ian McKellen delivers a richly memorable performance as the urbane, gay director James Whale in this touching character study. The film creates a deeply resonant portrait of Whale and gay Hollywood through well-chosen historical glimpses.

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Time Out
10 September 2012 · NB

This fictionalised biographical tribute to James Whale features a superb performance by McKellen as the tormented director and lucid echoes of Frankenstein themes. It is not a complicated film, but warm and clever.

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Variety
25 January 1998 · festival review · Dennis Harvey

Ian McKellen's brilliant performance as James Whale highlights this engrossing psychological drama drawn from the novel. Though the central dynamic and final stretch don't fully convince, the imaginative execution and production values stand out.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate