Most critics respond warmly to Good Will Hunting, with praise centred on the performances and the wit and feeling of Damon and Affleck’s screenplay. Robin Williams draws particular attention for the tenderness of his serious role, while Damon’s performance and his chemistry with Williams give the familiar therapeutic story emotional weight. The reviews also credit Gus Van Sant with handling the material carefully, finding humour and convincing relationships within a premise some consider implausible.
Reservations concern how neatly the film packages its troubles and resolves its emotional business, with a noticeable gap between enthusiastic and mixed responses. The Los Angeles Times finds the commercial polish too conspicuous, while Time Out questions the overplayed sincerity, familiar tropes and confused attitude towards academia. The Independent is less persuaded by Van Sant’s handling of the material, though it singles out the romance with Minnie Driver as unusually convincing: even the dissenting reviews find something to value in the relationships.
