Critics’ reviews

Gravity (2013)

23 reviews from 23 publications. Critics’ score 88: 10 positive, 0 mixed, 1 negative.

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88
Positive
10
Mixed
0
Negative
1

Most critics greet Gravity with strong enthusiasm, with praise clustering around its effects, Emmanuel Lubezki’s floating camerawork and the sustained tension of its survival story. The long takes and 3D draw repeated praise for making the physical disorientation of space palpable, while sound and silence help establish the astronauts’ isolation. The performances also earn broad approval, particularly Bullock’s combination of physical precision, fear and resilience, which many reviews credit with giving the spectacle human weight.

The main division concerns how much the simple story offers beyond immediate danger. Many critics find emotional depth in its treatment of survival and endurance, but Time Out finds the feelings less persuasive than the visuals, and Vulture objects to predictable plotting and strained spirituality. The New Yorker is the sharp dissent, accepting the force of the physical sensations while finding the film boring and short of ideas; most reservations elsewhere stop well short of rejection.

Little White Lies
6 November 2013 · 4/5/5 · David Jenkins
100

Cuarón’s space disaster movie is one of the year’s best, a majestically rendered parable on creation and overcoming depression. It excels visually with breathtaking sequence shots and a focus on reproduction imagery.

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Radio Times
★★★★★ · Damon Wise
100

The film combines nerve-shredding tension with technical perfection in an intimate sci-fi spectacular. Tremendous special effects and Bullock’s balletic performance complement Cuarón’s breathtaking vision.

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The Guardian
10 November 2013 · ★★★★★ · Mark Kermode
100

The film is a visually mesmerising, crowd-pleasing fairground ride that expands a single sequence from 2001: A Space Odyssey into a full feature of eye-boggling invention. It singles out the level of sheer visual invention, aided by Framestore and Emmanuel Lubezki's cinematography, for praise, while noting its stripped-down narrative and effective 3D experience.

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Time Out
2 September 2013 · ★★★★ · Tom Huddleston
80

Gravity is one of the most awe-inspiring achievements in special-effects cinema, with astonishing beauty and originality in its untethered camera work. The emotional content cannot quite compete with the visuals.

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The New Yorker
4 October 2013 · Richard Brody
40*

The review finds the film viscerally thrilling yet deadly boring, with impressive technology but an absence of ideas or deeper worldview. It excels at conveying the physical sensations of space but remains complacently conventional.

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Empire
· Ian Nathan

The critic calls it the film of the year, a jaw-dropping technical achievement and existential thriller that puts viewers at the center of extreme jeopardy in space, praising the direction, effects, and performances.

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Film Comment
· Scott Foundas

The review highlights Gravity's innovative use of silence and sound design to immerse viewers in the astronauts' experience, comparing its spectacle and technical illusion to early cinema pioneers like Méliès.

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Los Angeles Times
3 October 2013 · Kenneth Turan

The critic highlights the film's powerful visual astonishment and immersive 3-D experience that makes viewers feel stranded in space. Strong performances by Bullock and Clooney support Cuarón's bravura long-take sequences.

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Screen Daily
28 August 2013 · festival review

Gravity is a genuinely tense and exciting lost-in-space thriller driven by strong performances and spectacular special effects. It sustains its simple concept as an audience pleaser despite some sentimentality.

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Sight and Sound
8 November 2013 · Jonathan Romney

The film delivers an extraordinary technical achievement in 3D and immersive space visuals that make the viewer feel untethered. Dramatically it falls short, sacrificing substance for cliffhanger thrills.

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Slant Magazine
29 September 2013

Cuarón’s film is a benchmark and startling synthesis of outré and popular models through its clean elegant display of action choreography. The critic singles out the ambulatory cinematography, physics trajectories, and existential reckoning of deific presumptions amid silence for praise.

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The Hollywood Reporter
28 August 2013 · festival review · Todd McCarthy

The film is a thrillingly realized survival story and benchmark in its field thanks to its dazzling technical execution. The critic singles out the astonishing 13-minute opening shot and exemplary 3D work for praise while noting its straightforward dramatic approach.

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The Independent
10 November 2013

The critic praises Gravity as a personal, awe-inspiring survival story and technical marvel in 3D that outshines most blockbusters, highlighting the magical effects, long takes, and strong performances from Bullock and Clooney.

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The New York Times
3 October 2013 · Critic's Pick · A.O. Scott

The critic praises the film's simple survival story and technical achievements in creating an immersive space experience. Cuarón succeeds in renewing awe for space travel through complex techniques tethered to straightforward narrative.

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Variety
28 August 2013 · festival review

The review calls it a white-knuckle space odyssey that restores wonder and terror to the big screen through narrative simplicity and visual complexity. Cuarón's virtuoso direction creates robust thrills and deep human feeling in a nervy blockbuster experiment.

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Vulture
29 September 2013 · David Edelstein

Gravity delivers awe-inspiring visuals and higher math in service of an old-fashioned spiritual theme but remains cornball and predictable in its narrative arc. The critic singles out the long sinuous opening shot and the fusion of faith and science for praise while wincing at some spiritual contortions.

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Den of Geek
5 November 2013 · ★★★★★ · Ryan Lambie
100

The film is praised as a seamless visual conjuring trick with masterful long takes, convincing effects, and strong performances—particularly Bullock's—delivering both technical brilliance and genuine human warmth.

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Collider
3 October 2013 · A · Matt Goldberg
95

The critic praises the film's immersive quality and technical achievements in service of a moving human story of survival and endurance. The technical bravura and emotional depth are singled out.

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The Playlist
3 October 2013 · A · The Playlist Staff
95

The review calls Gravity a visceral, tense experience and a technical marvel that is also cleverly written and phenomenally directed. It praises the film as a blockbuster with heart and soul.

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/Film
8 September 2013 · 9/10 · Laremy Legel
90

The critic hails Gravity as a technical marvel and optical treat with a taut script and strong performances, especially from Bullock. Minor logic and timeline issues are noted but do not detract from the overall cinematic achievement.

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The Wrap
20 September 2013
90*

The film is a virtuoso technical achievement and a powerfully visceral experience offering a poetic portrait of hope and survival in space. Sandra Bullock carries the film with a balance of fear and resilience while Cuarón's inventive camerawork captures the physics and disorientation of zero gravity.

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HeyUGuys
28 August 2013 · ★★★★ · Jo-Ann Titmarsh
80

The critic finds the film a thrilling and moving rollercoaster that will appeal to space enthusiasts and romantics. Bullock and Clooney excel in their roles as the astronauts facing disaster.

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Digital Spy
10 October 2013 · festival review · Simon Reynolds

It commends the technically breathtaking spectacle, unbroken takes, 3D effectiveness, and Bullock's career-best performance in a survival story emphasizing isolation and inner strength.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate