Critics’ reviews

Gremlins (1984)

9 reviews from 9 publications. Critics’ score 68: 5 positive, 4 mixed, 0 negative.

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68
Positive
5
Mixed
4
Negative
0

Most critics respond warmly to Gremlins, praising Joe Dante’s collision of small-town Christmas cheer with unruly black comedy. The praise centres on the creature effects, the jokes at the expense of familiar film conventions, and the willingness to disrupt a comforting picture of American life. For the more enthusiastic reviewers, the mixture of adorable creatures and spiteful humour is precisely what makes the film work, with its mischief giving the seasonal setting an unusual bite.

The reservations concern how reliably that mixture holds together: several reviews find the mayhem predictable, the humour uneven or the human characters underdeveloped. Others question the emotional impact and the aggression towards a young audience. The spread is wide, though none of the reviews is wholly negative: Digital Spy celebrates the sadistic comedy and consumer-culture satire, while Variety finds that the effects leave the humans with little to do.

Radio Times
★★★★ · John Ferguson
80

This anarchic black comedy remains one of Hollywood's darkest mainstream hits, gleefully undermining feel-good depictions of small-town America through in-jokes, cameos and Phoebe Cates's memorable Christmas speech.

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Time Out
4 December 2012 · ★★★★ · Tom Huddleston
80

The film skillfully walks the line between wholesome Christmas cheer and subversive mayhem, with Dante leaving audiences unsure whose side to take in the gremlins' chaotic assault on small-town America.

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RogerEbert.com
8 June 1984 · Roger Ebert
75*

The film pits a wholesome small-town Christmas against mischievous, monstrous creatures in a witty B-movie style. Ebert praises the clever send-ups of movie clichés and the first half's cute gremlins but notes the second half turns nastier.

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The New Yorker
18 June 1984 · Pauline Kael
55*

Dante delivers an unholy mix of whimsical pop shocker and movie references but struggles to cohere the ideas into something with emotional impact. Kael highlights inventive sequences like the theater rampage and kitchen battle while noting the overall affectless tone.

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The New York Times
8 June 1984 · Vincent Canby
50*

The creatures are the real stars, with the mogwai's unstable nature driving the plot in a mix of Capra-esque whimsy and grotesque horror. Canby finds the humor unreliable and the violence overly aggressive toward a young audience.

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Variety
31 December 1983 · Variety Staff
45*

The story follows a mysterious creature bought as a Christmas gift that spawns evil, killer gremlins after rules are broken. The review notes the initial preciousness gives way to predictable mayhem with humans serving mainly as extras for the effects.

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Digital Spy
6 December 2012 · ★★★★★ · Ben Rawson-Jones
100

The review hails the film as a fiendishly funny classic and enduring mainstream masterpiece, commending its sadistic humour, dazzling effects, critique of consumer culture, and memorable subversion of Christmas movie tropes.

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Den of Geek
26 October 2009 · ★★★★ · Simon Brew
80

The critic calls Gremlins a delight and a terrific film under Joe Dante's direction, praising its blend of dark comedy and adorable elements along with superb creature effects and memorable moments like the Snow White screening.

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Eye for Film
22 December 2007 · Jennie Kermode
60*

The film succeeds by tapping into children's desire for cheerful mischief and irreverent violence. Its appeal to adults is limited beyond nostalgia, with a plot that becomes predictable and descends into incoherence.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate