The recorded scores suggest a mixed reception for Zeffirelli’s Hamlet, with praise clustering around the performances. In the accessible reviews, Mel Gibson’s energetic, physical approach attracts approval even from critics with reservations about the adaptation. His humour also earns notice, while Helena Bonham Carter’s Ophelia and Glenn Close’s Gertrude receive individual praise. The favourable accounts value a vigorous, unfussy approach to Shakespeare rather than solemn reverence.
The division concerns how much that vigour achieves. Eye for Film finds Zeffirelli’s gamble successful, while Empire admires Gibson but finds the adaptation short on inspiration and audacity. The Los Angeles Times offers the sharpest objection: attractive images and creditable acting cannot compensate for coldness and the lack of a compelling interpretation. The scores span considerable enthusiasm to disappointment, but three review texts are unavailable, limiting how confidently their reasons can be included in the consensus.