Critics’ reviews

Hear My Song (1991)

8 reviews from 8 publications. Critics’ score 74: 4 positive, 2 mixed, 0 negative.

Back to our review of Hear My Song

74
Positive
4
Mixed
2
Negative
0

Most critics find Hear My Song a warm, fanciful romantic comedy, with praise clustering around Peter Chelsom’s comic timing and affection for his characters. The favourable reviews describe an assured debut whose old-fashioned sentiment is largely earned by its wit. Performances also draw approval, particularly Adrian Dunbar’s charm and Ned Beatty’s generous comic presence as Josef Locke. Even the less persuaded critics find acting worth admiring.

The divide concerns how hard Chelsom works to charm, rather than what he is trying to achieve. Some reviews welcome the whimsy but find the sentiment excessive towards the close; others think the insistence undermines the comedy more broadly. The Los Angeles Times is wholehearted in its enthusiasm for the warmth and timing, while The New Yorker argues that Chelsom oversells a fragile conceit. Time Out is similarly resistant, finding the tone maudlin despite Beatty’s strong performance.

Los Angeles Times
27 December 1991 · ★★★★/4 · Kevin Thomas
100

An unalloyed joy and irresistible bit of blarney that recalls the great Ealing classics. Chelsom has a warmth and wit that could cheer up just about anybody, with an innate sense of timing for jokes and payoffs.

Read the full review →
Empire
1 January 2000 · Angie Errigo
80*

The critic finds the film fanciful, fresh and charmingly funny, recommending it to those not allergic to whimsy. They single out writer-director Peter Chelsom's assured feature debut for turning a dotty true story into a delightful, sentimental climax.

Read the full review →
RogerEbert.com
14 February 1992 · Roger Ebert
80*

The film builds a romantic comedy of great charm around the search for the real Josef Locke. It is the soul of a great small film that looks at people closely and with love.

Read the full review →
The New York Times
19 January 1992 · Janet Maslin
75*

This winning first feature has the kind of blithe, fanciful magic that can't be achieved through skill alone. The ending errs slightly on the side of excessive sunniness, but almost all the rest is admirably understated.

Read the full review →
Variety
31 December 1991
60*

First feature from Peter Chelsom goes straight for the heart with an unabashedly romantic fantasy. By the final reels it has become too much, though Dunbar and Fitzgerald deliver winning performances in this old-fashioned romance.

Read the full review →
The New Yorker
2 March 1992 · Terrence Rafferty
50*

Chelsom takes a whimsical conceit and sells it so hard that it loses most of its fragile charm. Ned Beatty's performance as the real Josef Locke is large-spirited comic acting that nearly makes the film transporting.

Read the full review →
Radio Times
· David Parkinson

The critic praises debut director Peter Chelsom for delivering an old-fashioned delight full of Irish whimsy, scouse wit, romance and comedy. Adrian Dunbar's charming performance as the club owner and the Irish scenes stand out as highlights.

Read the full review →
Time Out
10 September 2012 · GA

The critic finds the comedy an unconvincing attempt at warm-hearted charm that results in maudlin whimsy, despite Ned Beatty's strong turn as the singer. The overall tone fails to justify the film's warm initial reception.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate