The consensus is strongly positive: critics praise Heat for giving its cops and robbers detailed lives without weakening the force of its action. Praise centres on Michael Mann’s controlled direction, the bank robbery shootout and the attention to locations and interiors. Al Pacino and Robert De Niro’s performances draw consistent approval, particularly their quiet diner encounter, while the wider ensemble also earns recognition. Several reviews find a melancholy study of professional obsession and its human costs beneath the heist thriller.
The differences concern emphasis more than verdict, with no substantial negative dissent in the supplied reviews. The Times finds occasional schematic plotting and grating dialogue, whereas RogerEbert.com praises the dialogue for letting the characters express complex thoughts clearly. Other reservations concern occasional overreach, but remain secondary to the praise. Some critics concentrate on the action and control; others are more taken with the sadness of lives organised around work.
