Most critics warm to Hellboy, and the praise gathers in two places: Guillermo del Toro’s affection for Mike Mignola’s comic, and Ron Perlman in the lead. Reviewers describe the film as a comic brought to life with visual flair and heart, and Perlman’s gruff, cigar-chewing demon is named as its best asset in nearly every notice. The gothic design and dry comedy are liked, and several later pieces argue it has aged well against more anonymous superhero films.
The reservations cluster around the story. Some find the plot preposterous or muddled, the squid-god threat less engaging than the fistfights, and the mix of gags and drama uneasy. The Los Angeles Times calls it a triumph of design over meaning, and a few note excess CGI and shaky supporting turns. The spread is narrow, most landing between good and very good; the lone dissent comes from Eye for Film, which finds it loud, boring and too violent for children.
