Critics’ reviews

In Which We Serve (1942)

7 reviews from 7 publications. Critics’ score 61: 4 positive, 2 mixed, 1 negative.

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61
Positive
4
Mixed
2
Negative
1

Most critics take In Which We Serve as a sincere, well-acted record of a destroyer’s crew and their families, and the wartime reviews are the warmest. The praise clusters on the ensemble: Bernard Miles’s chief petty officer, John Mills and Celia Johnson, and the sense of a classless, credible patriotism running through the cast. Noël Coward’s several credits are generally judged earned, with his character work singled out more often than his direction. Several reviews value the domestic scenes for catching Britain’s 1942 mood and the dangers of the Blitz.

The reservations come from later critics, and they cluster on how the film has aged. Empire credits David Lean’s co-direction with keeping it durable despite Coward’s inexperience, while calling the flashbacks dated. Time Out is the lone negative, finding the class snobbery and stiff-upper-lip attitudes patronising and the film interesting mainly as a social record. The spread is fairly wide, with the 1942 notices well above the modern ones.

The New Yorker
19 December 1942 · David Lardner
70*

The grim subject of a destroyer's history had a positive effect on Coward, leading to a film with excitement and consistently good acting. Minor issues are offset by strong performances, including Bernard Miles as a chief petty officer.

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The New York Times
24 December 1942
70*

The film depicts the cruel realities of war through the story of a British destroyer and its crew. It highlights the experiences of the men and their families amid the conflict.

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Variety
1 January 1942
70*

No less than half a dozen credits for this film go to Noel Coward, and they are well earned. It is a grim tale sincerely picturized and splendidly acted throughout, with stark realism as the keynote.

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Empire
1 January 2000 · David Parkinson
65*

The critic credits David Lean's co-direction with making this stiff-lipped flagwaver durable despite Coward's inexperience, and praises the credible classless patriotism from the ensemble cast including John Mills and Celia Johnson. The flashback scenes are noted as dated but valuable for documenting a vanished way of life.

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Time Out
3 May 2011 · TM
30*

The film follows a destroyer crew's flashbacks after their ship is sunk in the Battle of Crete. It now appears patronising in its depiction of class snobbery and stiff-upper-lip attitudes, interesting mainly as a historical reminder of social structures that influenced postwar politics.

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Eye for Film
5 February 2002 · Angus Wolfe Murray
70*

The critic finds the film dated but effective at capturing Britain's 1942 mood through its focus on the crew and their families. Praise goes to the stiff-upper-lip stoicism and domestic scenes that convey the Blitz's dangers and community spirit.

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Collider
21 May 2012 · Andre Dellamorte
55*

The critic is lukewarm on the film, viewing it as a solid but period-specific propaganda piece with strong characterization that does not always flatter its subjects. They single out the deep character work brought by Noël Coward for praise amid the wartime context.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate