Insidious: Out of the Further (2026)

Despite a mostly routine story and uninteresting new characters after many franchise entries, the film feels like a robust reconstitution of the formula with terrific set pieces. It singles out the lively, ghoul-packed finale and a merry reunion of past jump-scare demons for praise.

Director Jacob Chase nails creepy vibes and inventive dream-world setpieces, including gross-out dental horror and claustrophobic sequences. The story grows convoluted in the final act, though the film delivers old-school horror fun and polished frights.

The film is dumb and predictable in broad strokes but occasionally clever as a shock engine, especially early on with inventive set pieces like a pillow fort maze and dental office scares. It singles out the pliable Further premise and goofy Nightmare on Elm Street-like spirit for praise while noting it runs out of juice with exposition.

The critic feels the sixth Insidious instalment shows the franchise idea has become tired and needs to conclude. Amelia Eve's performance and one inventive claustrophobic sequence with sofa cushions are singled out as relative strengths amid generally weak scares and revelations.

The critic notes that while the film introduces a new set of victims, it remains a routine and tiresome Insidious entry with diminishing returns. Some effective jump scares and set pieces, such as a gruesome dental scene and a pillow fort labyrinth, are singled out for praise.

The critic finds the film less a retread than a kitschy carnival fright night, with demons resembling cosplay and costumed performers. It attempts to revamp the franchise with mostly new characters but has more problems than familiar horror pitfalls.

The film offers a clue to where horror franchises go to die, feeling cursed with diminishing returns and unoriginal tropes. New characters struggle to engage, and the Further feels like a bummer way station with tired scares.

The critic finds the sixth Insidious entry dull and unengaging, with the fun evaporated into uninteresting mythology and junky effects that push the franchise further from its promising start. A couple of eerie sequences stand out amid the metaphysical hullabaloo, along with Lin Shaye's consistent presence as the psychic medium.

The critic praises the film's wild, adventurous turn with strong performances, especially Amelia Eve, and its empowering story, but notes a weak middle stretch.

The critic calls it the best PG-13 horror film of the year so far for its mix of generational trauma in a mother-daughter story and fresh franchise elements like a new villain and Courier abilities. She singles out the humor woven into the narrative and the meticulously crafted jump scares, including dental horror sequences, for praise.

The sixth installment delivers a satisfying if predictable standalone ghost story that returns the franchise to form. It singles out the exceptional sound design for adding essential texture and depth to the scares, especially in the dental scenes.

The critic finds the family saga somewhat effective but bogged down by a sluggish pace, too many demons, and loss of intimacy despite inventive scares.

The film recycles familiar franchise tropes with a PG-13 zombie twist that feels stale next to fresher horror entries. It singles out the cringe-inducing dental scenes for some inventive terror amid otherwise predictable plotting.