Most critics respond warmly to Neil Jordan’s gothic vampire drama, with praise clustering around the performances and lavish production design. Tom Cruise’s Lestat is the main attraction: the reviews find humour, menace and sexual confidence in his pleasure at being monstrous. Kirsten Dunst’s Claudia also draws particular praise. The film’s treatment of immortality as a troubled domestic arrangement appeals to several critics, who find its melancholy and homoerotic tensions more interesting than straightforward scares.
The spread is wide, however, with disagreement over whether that melancholy sustains the drama or drains it. Sight and Sound finds effective horror despite weaknesses in the source material. The Independent admires the depiction of eternal ennui and the Claudia scenes but finds little excitement or emotional payoff. Time Out is more dismissive, judging the script repetitive and its philosophy banal, while conceding that the production design supplies some atmosphere.
