Critics’ reviews

Interview with the Vampire (1994)

9 reviews from 9 publications. Critics’ score 65: 5 positive, 0 mixed, 2 negative.

Back to our review of Interview with the Vampire

65
Positive
5
Mixed
0
Negative
2

Most critics respond warmly to Neil Jordan’s gothic vampire drama, with praise clustering around the performances and lavish production design. Tom Cruise’s Lestat is the main attraction: the reviews find humour, menace and sexual confidence in his pleasure at being monstrous. Kirsten Dunst’s Claudia also draws particular praise. The film’s treatment of immortality as a troubled domestic arrangement appeals to several critics, who find its melancholy and homoerotic tensions more interesting than straightforward scares.

The spread is wide, however, with disagreement over whether that melancholy sustains the drama or drains it. Sight and Sound finds effective horror despite weaknesses in the source material. The Independent admires the depiction of eternal ennui and the Claudia scenes but finds little excitement or emotional payoff. Time Out is more dismissive, judging the script repetitive and its philosophy banal, while conceding that the production design supplies some atmosphere.

Empire
· Mark Salisbury
80*

The critic sees the film as a morbidly fascinating domestic drama of immortality and a homoerotic yarn, hailing its gothic production design splendour and strong performances (especially Cruise's malevolent grace) that make it an unlikely feast compared to other lavish vampire adaptations.

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The Guardian
15 February 2024 · Peter Bradshaw
80*

The critic finds Neil Jordan’s horror-comedy an outrageous yet entertaining bromance that explores the complex lived experience of vampirism. Cruise delivers a hilarious, scene-chewing performance as Lestat while Dunst stands out as Claudia.

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Sight and Sound
70*

The film is as strong as could be expected given weaknesses in the source material. Jordan achieves moments of creepiness and shocking horror, and Cruise delivers a fine performance as a narcissistic monster who relishes being one.

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The Independent
19 January 1995 · Adam Mars-Jones
40*

The critic finds the film melancholy and bloodless rather than scary or funny, with a sophisticated take on vampirism as curse or lifestyle but an overall mood that dampens excitement and thrills. Jordan excels at capturing eternal ennui over cheap genre shocks, with strong scenes involving the child vampire Claudia but limited erotic or emotional payoff.

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Time Out
6 December 2011 · GA
30*

Jordan's adaptation is a disappointment that is neither scary nor engaging, and is instead dull and conventional. The script is dramatically repetitive and philosophically banal, though the production design provides some atmosphere.

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The New York Times
11 November 1994 · Janet Maslin

The critic finds Jordan's film a sophisticated and spookily intense rendering of Rice's story that is as strange and mesmerizing as it is imaginatively ghastly. Cruise's fiery, mature sexual magnetism as Lestat is singled out for praise.

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The Times
16 February 2024 · ★★★★☆ · Kevin Maher

Neil Jordan’s lavish vampire movie showcases Tom Cruise’s versatile, pansexual delight as Lestat seeking domestic harmony with Pitt’s Louis and Dunst’s Claudia. Dunst’s fiery performance is highlighted as the standout.

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Collider
12 November 2022 · A- · Isabella Soares
90

The critic finds the film an exquisite analysis of immortality and the danger of wishing for eternal youth and beauty. She singles out the strong performances, particularly the dynamic between Cruise and Pitt, and the script's ability to make viewers empathize with the monstrous characters.

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Den of Geek
20 November 2008 · ★★★★ · Robert Mclaughlin
80

The critic calls the film one of the best vampire movies of the past twenty years and praises its opulent gothic production design, strong ensemble cast (especially Tom Cruise as Lestat and a young Kirsten Dunst as Claudia), and subtle make-up effects. They single out the detailed sets, costumes, and visual textures for particular praise while noting the Blu-ray edition itself is a lazy re-release.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate