Critics’ reviews

Jackie Brown (1997)

11 reviews from 11 publications. Critics’ score 73: 5 positive, 2 mixed, 0 negative.

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73
Positive
5
Mixed
2
Negative
0

Most critics agree that Jackie Brown is a slower, warmer film than Tarantino had made before, and they part company on whether that is a virtue. The praise clusters on the cast: Pam Grier’s flight attendant is singled out almost everywhere, and Robert Forster’s bail bondsman nearly as often, with several reviews calling their tentative romance the film’s centre. The unhurried character work, the funk and soul soundtrack and the faithful handling of Elmore Leonard’s Rum Punch are the other recurring strengths. The reservations cluster on pace and length. Variety finds it too long and short on the snap of earlier Tarantino; The New York Times calls it talky and sluggish; the Los Angeles Times finds it easygoing but far from compelling; Total Film puts it at nearly forty-five minutes over. The spread is fairly wide, from warm admiration to mild disappointment, with no outright dismissals. The later reviews are kinder than the first-run ones, reading the middle-aged regret as the point rather than a slackening.

RogerEbert.com
24 December 1997 · ★★★½/4 · Roger Ebert
88

The critic praises the film as proof that Tarantino is the real thing, highlighting its smart characters who must outthink each other and the rich texture of dialogue and situations over plot mechanics. He singles out the strong casting, especially Pam Grier and Robert Forster, and the affectionate, unhurried character work.

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Slant Magazine
23 January 2025 · Chuck Bowen
85*

The critic praises the film's shift from Tarantino's earlier brash style to a mature, empathetic exploration of aging, vulnerability, and middle-age regret. Strong performances, especially Pam Grier and Robert Forster as the central odd-couple pair, and textured character moments elevate the slowed-down crime plot.

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Radio Times
★★★★ · Alan Jones
80

Tarantino re-energises Elmore Leonard's Rum Punch as a homage to 1970s blaxploitation, with Pam Grier outstanding as the savvy flight attendant outwitting everyone around her. A superb cast, inventive visual techniques and a great funk soundtrack elevate the down-and-dirty crime thriller.

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Variety
15 December 1997 · Todd McCarthy
70*

The critic finds the film unquestionably too long and lacking the snap of Tarantino's earlier work but notes an abundance of pleasures in characterization and atmosphere, praising the imaginative casting and emotional nuance alongside its faithful yet distinctive adaptation of the novel.

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The New York Times
24 December 1997 · Janet Maslin
60*

The critic finds the film a slower, talkier and more sluggish adaptation of Elmore Leonard's novel than it might have been, criticizing its length and lack of special stakes while noting some pleasures in the performances and Tarantino's affection for Pam Grier and the material.

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Los Angeles Times
24 December 1997 · Kenneth Turan
50*

The critic calls the film Tarantino's idea of a nice film, a leisurely tribute to Elmore Leonard and Pam Grier that is easygoing but far from compelling, with too leisurely a pace and a lack of immediacy despite strong performances.

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Empire
1 January 2000 · Adam Smith

Tarantino delivers a more thoughtful, less frantic adaptation of Elmore Leonard's novel that proves him still the most important filmmaker of the decade. The standout is the uniformly strong ensemble, especially Pam Grier as the resilient title character and Robert Forster as the smitten bail bondsman.

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The Times
19 March 1998 · Geoff Brown

The film shows Tarantino reined in and matured, probing deeper into his material with some human kindness. It works as a succession of well-observed scenes featuring strong performances, especially from Pam Grier as the bruised heroine.

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Time Out
13 May 2020 · GA

Tarantino delivers his most mature film to date with a faithful adaptation of Elmore Leonard's Rum Punch, centering on Pam Grier's flight attendant navigating a scam while outsmarting cops and criminals. The focus on character, relationships and middle-aged regrets stands out as a subtle, poignant strength.

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Total Film
20 March 1998

A languid character study that echoes Pulp Fiction but never lives up to it, with strong moments and performances but ultimately ordinary and two-dimensional. Robert Forster stands out as the most believable character, while the film suffers from being nearly 45 minutes too long and lacking sharp dialogue.

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Collider
25 December 2022 · B+ · Meredith Loftus
83

The critic views Jackie Brown as a flawed but underrated blaxploitation homage that stands out for its mature tone and strong ensemble performances, particularly Pam Grier's charismatic lead and Robert Forster's gravitas. It singles out the budding romance between the leads and the soul/R&B soundtrack for praise, while critiquing the film's narrative structure as less innovative than prior Tarantino work and some character portrayals as uneven.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate