Critics’ reviews

Kramer vs. Kramer (1979)

10 reviews from 10 publications. Critics’ score 80: 9 positive, 0 mixed, 1 negative.

Back to our review of Kramer vs. Kramer

80
Positive
9
Mixed
0
Negative
1

Most critics respond warmly to Kramer vs. Kramer, with nine of the ten reviews praising its treatment of divorce and parenthood. The strongest agreement concerns the performances: Dustin Hoffman and Meryl Streep receive repeated praise, while Justin Henry is also recognised for his contribution to the film’s emotional force. The reviews value Robert Benton’s intelligent, compassionate writing and direction, particularly the attention to credible behaviour and everyday family detail. Several find it deeply moving without needing a larger scale.

The reservations concern how convincingly the drama holds together beyond those performances. The Guardian admires the father-son scenes and Nestor Almendros’s cinematography but questions the courtroom portrayal and ending; The AV Club notes dated elements. The spread is wide chiefly because of Empire, the lone negative review, which regards the film as glossy soap opera despite admiring Hoffman and Streep. The disagreement is about dramatic substance rather than acting quality.

Los Angeles Times
16 December 1979 · Charles Champlin
95*

The film is as nearly perfect as can be in its size, with masterful performances and emotional wallop that make it the most satisfying picture of the year.

Read the full review →
The Hollywood Reporter
19 December 2016 · Arthur Knight
90*

The critic hails the film for its wisdom, insight, compassion, and sensitivity to contemporary family issues. Benton’s screenplay and direction, along with standout performances from Hoffman, Streep, and young Justin Henry, are singled out as making it an emotionally and dramatically satisfying event.

Read the full review →
The New York Times
19 December 1979 · Vincent Canby
90*

The critic finds Benton's adaptation fine, witty, moving and intelligent, a Manhattan story that speaks for a generation about fathers, sons, husbands and wives, with a central focus on the muddled mother.

Read the full review →
Vulture
3 October 2014
90*

The article calls the film great and an acting clinic, crediting Hoffman, Streep, and supporting players for its impact. It highlights the story’s emotional depth and the child actor’s performance as key strengths amid its discussion of the film’s box-office success.

Read the full review →
The New Yorker
17 December 1979 · Roger Angell
85*

The film excels in its attention to realistic detail and performances that chart major character changes; it is a nearly perfect miniature that is deeply moving despite modest ambitions.

Read the full review →
Variety
27 November 1979 · Dale Pollock
85*

The perceptive, touching and intelligent film about family dissolution is a tribute to Benton and the leads, focusing on credible people rather than stereotypes with strong box-office appeal.

Read the full review →
The AV Club
7 February 2020 · Tom Breihan
70*

The piece positions the film as a culturally resonant divorce drama that balances emotional intensity with brisk pacing and strong performances. It singles out Streep’s nuanced portrayal of Joanna and the film’s effective depiction of family rupture and reconciliation for praise, despite noting some dated elements.

Read the full review →
The Guardian
11 December 2019
70*

The critic views the film as a flawed but deserving classic with immense sensitivity and heart about parenthood and divorce. They single out the father-son bonding scenes and Nestor Almendros's cinematography for praise while noting issues with the court portrayal and ending.

Read the full review →
Empire
1 January 2000 · William Thomas
40*

The film is viewed in retrospect as little more than a glossy soap opera passed off as serious drama, despite its initial popularity and strong performances from Hoffman and Streep.

Read the full review →
/Film
28 December 2025 · Akos Peterbencze
85*

The critic praises the film's enduring emotional power and intelligence in depicting divorce, single parenting, and family upheaval, highlighting Dustin Hoffman's transformative performance as the heart of the story. They note that while it may no longer be a frequent topic of conversation, its impact and relevance remain undiminished.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate