Critics’ reviews

Life of Brian (1979)

11 reviews from 11 publications. Critics’ score 85: 11 positive, 0 mixed, 0 negative.

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85
Positive
11
Mixed
0
Negative
0

The consensus on Life of Brian is firmly positive: all eleven reviews praise its comedy, with particular agreement on the troupe’s performances, the variety of the gags and the satire of dogma and human foolishness. Most critics find its irreverence good-natured, even when its targets are religious mania, false piety or political squabbling. Praise also extends to the production values and comic structure, while Eye for Film singles out Graham Chapman’s lead performance and stronger characterisation as reasons the story works beyond its individual jokes.

The differences concern emphasis as much as quality: some critics stress the attack on religious behaviour, while others see a cheerful parody of Biblical films. The responses range from enthusiastic to warmly qualified, with no outright dissent. The New Yorker finds the sustained chase stretched compared with the troupe’s sketch work, while /Film notes flaws and elements that have aged awkwardly.

Time Out
21 September 2024 · ★★★★★ · Tom Huddleston
100

The messianic satire remains as irreverent and topical as ever, with its quotable intelligence and humor still sharply relevant decades later. Religious mania and petty dogma are singled out as targets that have lost none of their bite.

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Empire
1 January 2013
90*

The critic hails it as a stylistically eclectic comic masterpiece, praising the variety, quality, and structure of its gags along with its sharp comedy swearing.

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Sight and Sound
· Clyde Jeavons
90*

The Pythons deliver brilliant gags and robust production values in their satirical riff on the life of Christ and religious faith. The climactic scenes stand out as among the most memorable and tasteless ever devised by the troupe.

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The Guardian
12 April 2019 · Peter Bradshaw
90*

The critic calls it the Pythons’ masterpiece and an amazing achievement, a consistent and ambitious film that stands up decades later as a satire of the life of Jesus and a hymn to tolerance. He singles out its spectacular ending with the crucifixion scene and the jaunty song Always Look on the Bright Side of Life for praise, along with classic set pieces like the stoning scene and the Latin grammar argument.

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The New York Times
17 August 1979 · Vincent Canby
85*

The review hails the film as a deliriously offensive and best-humored Biblical epic that sends up false piety and classic religious films with nonstop comic energy.

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RogerEbert.com
1 January 1979 · Roger Ebert
80*

The critic finds the film cheerfully inoffensive and more about movies than religion, praising its irreverence and the Python troupe's good cheer in sending up Biblical epics.

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The Hollywood Reporter
16 August 1979 · Robert Osborne
70*

The critic describes the film as a wacky, good-natured satire with a whimsical and friendly air rather than a sacrilegious one. The ensemble cast's outrageous fun in multiple roles and the troupe's skill at highlighting human failings through humor are singled out for praise.

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The New Yorker
20 August 1979 · Veronica Geng
70*

The critic praises the troupe's comic performances and irreverent Biblical parody but finds the sustained chase structure somewhat oversustained compared to their sketch work.

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Eye for Film
17 March 2009 · ★★★★½ · Jennie Kermode
90

The critic praises the film's stronger characterisation and Graham Chapman's lead performance, which allow it to move beyond satire into a story with its own power and sharp points about religion. The review highlights the film's enormous humour alongside its bravely downbeat ending.

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Den of Geek
19 April 2019 · Mark Harrison
85*

The critic calls Life of Brian a quintessential Easter comedy that holds up exceptionally well on its 40th anniversary re-release. They single out its sharp political satire and the iconic closing song for particular praise.

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/Film
80*

In a ranking of Monty Python films, Life of Brian is placed second and described as the troupe's most controversial work that still feels daring, with a perfect ironic ending that encapsulates human existence, though it notes some flaws and awkward aging.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate