Critics’ reviews

Love Wedding Repeat (2020)

12 reviews from 12 publications. Critics’ score 44: 1 positive, 4 mixed, 7 negative.

Back to our review of Love Wedding Repeat

44
Positive
1
Mixed
4
Negative
7

Most critics find Love Wedding Repeat a laboured farce that squanders a promising idea; seven of the twelve reviews are negative. Where there is praise, it goes to the cast rather than the script: Tim Key’s comic delivery, Aisling Bea, Jack Farthing, Olivia Munn’s relaxed presence, and the easy sibling rapport between Sam Claflin and Eleanor Tomlinson are each singled out as bright spots. The Italian setting and handsome production values are noted approvingly too.

The complaints cluster on the premise. Several say the repeat conceit arrives too late or fails to pay off, and that the characters never rise above types, leaving the central romance thin. Some also find the cringe comedy unfunny and the shifts in tone awkward. The spread is wide: Variety stands alone in calling the escalating wedding-day mishaps captivating and Claflin charming, while IndieWire and NME sit in the middle, amused but unconvinced.

Variety
10 April 2020 · Owen Gleiberman
80*

The critic finds the romantic comedy captivating and praises its fanciful, escalating wedding-day mishaps. He singles out Sam Claflin’s blend of nervousness and charm, along with the film’s looping structure.

Read the full review →
RogerEbert.com
64*

The page is blocked by a browser check, so the critic’s verdict cannot be verified. No praise or complaint from the review is available in the supplied page text.

Read the full review →
The New York Times
10 April 2020 · Jeannette Catsoulis
64*

The page is blocked, so the critic’s verdict cannot be verified. No praise or complaint from the review is available to identify.

Read the full review →
IndieWire
10 April 2020 · C+ · Kate Erbland
63

Erbland finds the comedy amusing but says it wastes its clever timeline-bending premise. She praises the lively wedding comedy while faulting the thin central romance and the film’s timid, underused concept.

Read the full review →
Los Angeles Times
10 April 2020 · Gary Goldstein
30*

Goldstein finds the film an overworked, disappointing comedy that wears thin before its central repeat premise begins. He faults its contrived situations and characters who feel more like types than authentic people.

Read the full review →
The AV Club
10 April 2020 · Caroline Siede
30*

Siede finds the film’s cringe comedy unfunny and its shifts in tone unsuccessful. She praises the appealing sibling dynamic between Sam Claflin and Eleanor Tomlinson as a bright spot in the uneven film.

Read the full review →
Empire
14 April 2020 · Ian Freer
25*

Freer finds the comedy frustrating and says its time-loop conceit fails to work. He praises the cast and production values, especially the central performances.

Read the full review →
The Hollywood Reporter
10 April 2020 · David Rooney
25*

Rooney finds the comedy derivative and tedious, with too little wit to lift its romantic farce. He singles out Olivia Munn’s relaxed luminosity as a welcome contrast to the strained performances around her.

Read the full review →
The Guardian
10 April 2020 · Benjamin Lee
20*

Lee finds the comedy laboured and flat, with its promising wedding-seat premise failing to become worthwhile. He singles out Tim Key’s comic delivery and Aisling Bea’s performance as brief bright spots.

Read the full review →
NME
60*

The critic finds the film harmless and pleasant enough, but not especially original or memorable. They praise the likeable cast for bringing extra laughs to its familiar romantic-comedy setup.

Read the full review →
Collider
10 April 2020 · D · Matt Goldberg
37

Goldberg calls the film a total misfire, arguing that its farce fails to make viewers care about the characters or their predicament. He particularly criticizes the stock-like characters and the lack of jokes or investment in the wedding’s stakes.

Read the full review →
Polygon
10 April 2020 · Tasha Robinson
20*

Robinson finds the film deeply unsatisfying, arguing that its arbitrary endings undermine both the romance and its what-if premise. She praises the gorgeous Italian wedding setting and the comic energy of Tim Key and Jack Farthing, but says the leads and repeated gags drain the story of interest.

Read the full review →

Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate