Critics’ reviews

Marley (2012)

11 reviews from 11 publications. Critics’ score 74: 8 positive, 3 mixed, 0 negative.

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74
Positive
8
Mixed
3
Negative
0

Most critics welcome Marley as a detailed, moving portrait, with praise clustering around the interviews and archival performances. Access to friends, family and bandmates gives the account intimacy, while the concert footage conveys the pleasure and conviction in his music. The reviews also value the attention to his early career, religious beliefs and political commitments. For the more enthusiastic critics, the breadth helps explain both the musician and his cultural reach.

Length is the recurring reservation, including among admirers: several reviews find that the detail becomes exhausting or slows the film down. There is also concern that the music needs more uninterrupted space. The spread runs from enthusiastic praise to mixed responses, with no outright negative verdicts. Slant Magazine finds the portrait overly romanticised, though it values Rita Marley’s more complicated perspective; HeyUGuys argues that the reverence leaves Marley himself insufficiently understood.

Empire
10 April 2012 · Eve Barlow
90*

The critic calls the documentary an epic, uplifting and definitive portrait of Bob Marley. They praise its breadth, from interviews with people in Marley’s life to its account of his musical and cultural legacy.

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Los Angeles Times
20 April 2012 · Kenneth Turan
85*

Turan finds the documentary moving, authoritative and a fitting tribute to Marley. He especially praises its extensive archival performance footage and the joy it conveys in Marley’s music.

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The Hollywood Reporter
12 February 2012 · festival review · Jordan Mintzer
85*

Mintzer calls it a stirring, potentially definitive portrait of Bob Marley, though its lengthy running time and abundance of detail can bog it down. He praises the concert footage and the film’s closing performances for showing Marley’s commitment to unifying Jamaica.

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Time Out
17 April 2012 · ★★★★ · Tom Huddleston
80

Huddleston gives the documentary a positive four-out-of-five rating. The available standfirst highlights its opening credit identifying Marley’s record label, but does not reveal a specific praise or complaint.

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The Guardian
13 February 2012 · festival review · Andrew Pulver
75*

Pulver finds the documentary a richly detailed and worthwhile portrait of Marley. He praises its account of Marley’s early musical career and its engagement with his religious and political convictions.

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The New Yorker
15 April 2012 · Anthony Lane
70*

Lane finds the documentary inspiring and effective at restoring the longing and indignation behind Marley’s music. He praises its account of Marley’s life but wishes it gave more time to let the music play uninterrupted.

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RogerEbert.com
65*

The page could not be accessed, so the critic’s verdict cannot be verified. No specific praise or complaint is available from the page text.

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Slant Magazine
19 April 2012 · ★★/4 · Glenn Heath Jr.
50

The critic finds the documentary overlong and overly romanticized, despite its loving attention to Marley’s life. Rita Marley’s account of their complicated relationship offers the film’s most nuanced perspective.

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Paste
16 February 2012 · 8.0/10 · Jonah Flicker
80

Flicker finds the documentary an intriguing and worthwhile exploration of Bob Marley, despite its excessive length and omissions about his music. He praises the interviews, vintage performances, and vivid Jamaican locations for bringing fresh detail to a well-documented life.

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Collider
29 September 2012 · Keith Demko
75*

Demko finds the documentary intimate, entertaining and largely satisfying, though it grows exhaustive and drags near the end. He praises Macdonald’s remarkable access to Marley’s friends, family and bandmates for creating a vivid portrait.

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HeyUGuys
19 April 2012 · ★★★ · Will Jones
60

The critic finds the documentary well made but ultimately tiresome and overly reverential. The brisk editing of archival footage and the tense account of Marley’s Jamaican peace concert stand out, while the film offers little insight into Marley himself.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate