Critics’ reviews

Missing (1982)

7 reviews from 7 publications. Critics’ score 74: 6 positive, 0 mixed, 1 negative.

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74
Positive
6
Mixed
0
Negative
1
The AV Club
22 October 2008 · A- · Scott Tobias
90

The critic highlights Jack Lemmon's heartbreaking performance as a conservative American businessman searching for his missing son amid the Chilean coup. The film powerfully reveals the conscience of a nation confronting its government's complicity in the horrors.

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The New York Times
12 February 1982 · Vincent Canby
90*

Canby hails it as Costa-Gavras's most beautifully achieved political melodrama to date, a suspense-thriller of real cinematic style with immense authority from Jack Lemmon and Sissy Spacek that delivers terrific emotional impact.

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Empire
1 January 2000 · William Thomas
80*

The critic praises this emotional political thriller inspired by real events in Chile, highlighting its mix of outrage and personal drama. Jack Lemmon's performance as a father turning to rage is singled out as superb, with Costa-Gavras maintaining strong pace and balance.

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Radio Times
★★★★
80

The US State Department denounced this uncompromising human drama on its first release, but it proved to be Costa-Gavras's most accessible Kafka-esque nightmare. It is a compelling moral tale of a disappearance during the 1973 Chilean coup, brought to life with incredible immediacy and impact.

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Time Out
10 September 2012 · DP
70*

The critic calls it Costa-Gavras's extraordinary first American movie based on true events during the 1973 Chilean coup. Spacek and Lemmon are fine, but the unending night-time imagery of a society coming apart makes it overwhelming, underpinned by the atmosphere of a paranoid conspiracy thriller.

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Variety
31 December 1981 · Variety Staff
70*

The review notes the film's focus on US involvement in the 1973 Chile coup and praises Jack Lemmon as superior in confronting unwanted issues and Sissy Spacek as fully believable, highlighting its effective personal-level impact.

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RogerEbert.com
1 January 1982 · Roger Ebert
40*

Ebert finds the film undermined by stylistic excesses that prevent a clear, powerful statement, though he praises the performances of Sissy Spacek and Jack Lemmon along with the scenes depicting bureaucratic frustration.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate