Most critics find Missing an entertaining thriller that stretches its own premise further than it should. The praise clusters in two places: Storm Reid, whose resourceful, extremely online teenager nearly every review singles out, and the screenlife format itself, with reviewers admiring how browser windows, FaceTime calls, Ring footage and smartwatches are turned into sources of suspense. The reservations cluster just as tightly. A large share of the reviews complain that the twists pile up until plausibility gives way, with Slant finding the final act unintentionally funny rather than tense, and IndieWire arguing the escalations never land emotionally. Several also feel it is glib about grief and intimate partner violence, and less fresh than its predecessor Searching. The spread is fairly wide, from Slant’s dismissal to Polygon’s outright enthusiasm, but no review is hostile; the disagreement is over how much nonsense a good ride can carry.
A
The AV Club
19 January 2023 · B
77
Storm Reid delivers a convincing performance as a teenager navigating crisis, enhanced by innovative screenlife cinematography using browsers, FaceTime, and apps. The film proves a worthy addition to the genre with a tight script and solid execution of its techno-thriller premise.
Read the full review →L
Los Angeles Times
19 January 2023 · Katie Walsh
75*
The suspenseful sequel follows digital breadcrumbs in a breakneck pace of shocking twists while reckoning with grief, loss, and intimate partner violence in a realistic way drawn from headlines and true-crime culture. It entertains but explores the terrors and triumphs of tech effectively.
Read the full review →R
RogerEbert.com
20 January 2023 · Christy Lemire
70*
The film delivers a zippy screenlife thriller but includes too many twists that erode its realism and novelty compared to the predecessor. It effectively uses modern tech elements like Ring video and comments on true-crime obsession while celebrating technology's possibilities through Storm Reid's resourceful performance.
Read the full review →L
Little White Lies
19 April 2023 · 2/3/2 · Alison Rumfitt
60
The critic finds the film an enjoyable but ultimately sour twisty thriller anchored by Storm Reid's performance. They single out the clever use of the screenlife format and social media elements for praise, while complaining about excessive twists and glib handling of serious subject matter.
Read the full review →R
Radio Times
★★★ · Dave Golder
60
The critic views it as an entertaining cyber-thriller with clever moments despite a ludicrous plot. They praise its compelling, humorous and immersive qualities while noting contrived storytelling and dated tactics in the climax.
Read the full review →N
The New York Times
19 January 2023 · Amy Nicholson
60*
The strenuous techno-thriller relies on a computer-screen gimmick for a teen's search for her missing mother, with relatable online sleuthing giving way to ludicrous twists that the lead parries confidently. It includes a meta-joke referencing the prior film in the series.
Read the full review →I
IndieWire
13 January 2023 · C · Vikram Murthi
57
The stand-alone sequel stretches its screenlife gimmick to bigger but dumber places, with logic-defying developments that undermine the story. It captures contemporary internet usage well in places but ultimately fails to ground its twists in emotional reality.
Read the full review →V
Variety
13 January 2023 · Todd Gilchrist
55*
The serviceable screenlife thriller has the lead actress excelling at being extremely online, with the directors nearly making the format cinematic despite its least visually interesting perspective. Improbable escalations and niggling questions limit its big-screen impact.
Read the full review →S
Slant Magazine
13 January 2023 · ★★/4
50
The screenlife sequel becomes a gimmick as its convoluted mystery grows outlandish, losing the focused perspective that made the original effective. The barrage of red herrings and soapy twists makes the final act unintentionally funny rather than suspenseful.
Read the full review →E
Empire
17 April 2023 · John Nugent
The critic praises this screenlife thriller as gripping and emotionally richer than its predecessor Searching, highlighting Storm Reid's engaging performance as the tech-savvy daughter and the inventive format that still works as a conventional story.
Read the full review →G
The Guardian
23 April 2023 · Peter Bradshaw
The film is a smart but occasionally preposterous thriller that lacks the freshness of its predecessor Searching but rattles along energetically with inventive storytelling.
Read the full review →H
The Hollywood Reporter
13 January 2023 · Lovia Gyarkye
The film is a nerve-jangling thriller that effectively uses its screen-based format to tell a pulsating story about surveillance and technology. It stands out for speculating on society's relationship with apps and information while delivering an alarming narrative.
Read the full review →T
The Times
23 April 2023 · ★★★☆☆ · Tom Shone
The film cleverly uses phone and laptop interfaces to tell its story of a daughter searching for her missing mother, delivering a clickbaity but engaging tech-driven mystery.
Read the full review →P
Polygon
20 May 2023 · Austen Goslin
90*
The critic calls it 2023’s best mystery thriller for its fresh, confident take on screen-based storytelling and entertaining amateur detective work. They single out the creative, organic framing of shots through devices that builds genuine suspense without repetition.
Read the full review →D
Deadline
20 January 2023 · Pete Hammond
85*
The critic calls it a highly entertaining thriller that improves on the original Searching with a different story and characters. They single out the visual style, crackerjack editing, plausibly crafted screenplay and fine acting for praise.
Read the full review →The critic finds it enjoyable, serpentine, sly and nail-biting, a worthy stand-alone sequel. They single out the inventive use of 21st-century screenlife elements like livestreams, smartwatches and browser windows for creating suspense and tension.
Read the full review →C
Collider
13 January 2023 · B · Ross Bonaime
77
The critic praises the film's tense techno-mystery and clever use of the screen-life format for building suspense and exploring character depth through digital lives. They single out the expansive storytelling and strong lead performance by Storm Reid despite the format's limitations.
Read the full review →/
/Film
13 January 2023 · 7/10 · Jeremy Mathai
70
The critic finds it a bold, twisting thriller that is entertaining and well-paced but lacks the emotional depth of the original and feels familiar. Praises the engaging plot and commentary on true-crime culture.
Read the full review →P
The Playlist
15 January 2023 · C+ · Brianna Zigler
63
The review criticizes the film for not authentically reproducing the screenlife format, feeling busy and pointless, and for being more a product of true-crime culture than a satire of it. Notes some entertainment in the plot but overall mixed to negative.
Read the full review →P
Paste
17 January 2023 · 6.3 · Jesse Hassenger
The review finds the film initially clever in its screen-life approach and meta nods to its predecessor but criticizes its later twists as cartoonish and its messaging as overly preachy. It singles out the erosion of plausibility and realism in the final stretch.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate