Critics’ reviews

Moonlight (2016)

25 reviews from 25 publications. Critics’ score 90: 17 positive, 0 mixed, 0 negative.

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90
Positive
17
Mixed
0
Negative
0

The reviews are overwhelmingly enthusiastic about Barry Jenkins’s intimate account of Chiron’s life, praising its emotional honesty and sensitive treatment of Black masculinity, sexuality and vulnerability. Praise centres on the three actors playing Chiron, whose performances make the shifts between life stages convincing, with Mahershala Ali and Naomie Harris also drawing attention. Critics repeatedly highlight the fluid camerawork, rich colour and music, finding that these choices bring them close to feelings the characters struggle to express.

Disagreement is limited and chiefly concerns the three-part storytelling. Slant Magazine finds the narrative broad and sometimes over-directed, arguing that the performances and intimate later passages compensate for the montage-like treatment of three eras; Collider also notes structural limitations after the first act. These are reservations within positive assessments, rather than a split over the film’s merits: most critics regard its quietness, specificity and tenderness as the reasons it moves them.

Little White Lies
1 February 2017 · 3/5/5 · Charles Bramesco
100

Barry Jenkins delivers a disarming and tender triptych fluent in wordless emotion, examining Black life, masculinity and queer sexuality in Miami with aching romance and keen perspectives. The film pries open the viewer’s eyes while curbstomping the heart through its intimate, historically underserved cultural milieu.

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The Guardian
19 February 2017 · ★★★★★ · Peter Bradshaw
100

The critic calls Moonlight a heartbreaking, uplifting minor-key masterpiece and a breathtaking, sensuous work that turns conflict and hardship into a symphony of love. They single out its fluid, visually rich portrait of a soul in flux and the way it captures intimate, tactile details of identity and desire.

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Time Out
8 February 2017 · ★★★★★ · Joshua Rothkopf
100

Barry Jenkins’s exquisite coming-of-age drama is a powerful, moving and poetic portrait of African-American life in a barely-getting-by Miami rarely seen on screen. Filled with miracles and an uncommonly poetic voice, it is without a doubt the reason we go to the movies.

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Los Angeles Times
20 October 2016 · Kenneth Turan
90*

The critic describes the film as magic, intimate, transcendent, and visual-emotional poetry from painful experience. He singles out its exceptional emotional honesty that universalizes a specific coming-of-age story of a gay black man in 1980s Miami.

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The New Yorker
28 October 2016 · Richard Brody
90*

The critic praises the film as one of the most emotionally ample and comprehensively created movies, realizing the director's ambitions in an uninhibitedly emotional experience. He singles out its sense of architecture balancing story elements and responses to the characters' pain and drive.

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Variety
2 September 2016 · festival review · Peter Debruge
85*

The critic calls it a beautifully intimate character study and socially conscious work of art that challenges stereotypes of black identity. He singles out its nuanced, dream-like evocation of time and place through Steadicam lensing and classical music.

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The i Paper
16 February 2017 · ★★★★ · Matthew Turner
80

This is a powerful coming-of-age drama that challenges and confronts black stereotypes with an intimate character study of a young black man across three life stages. The extraordinary performances from the three actors playing Chiron, Mahershala Ali and Naomie Harris, plus the consistently surprising script and stunning cinematography, are praised.

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Slant Magazine
23 September 2016 · ★★★ · Sam C. Mac
75

The critic notes that strong performances, especially by the actors playing Chiron, help compensate for the film's broad narrative and occasional over-direction. It excels in its intimate final sections but struggles with montage-like storytelling across three eras.

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Empire
13 February 2017 · Dan Jolin

A genre-defying film whose visual splendour belies its tough subject matter while the performances pull the viewer deep below the surface with soulful naturalism. The convincing three-actor portrayal of Chiron and the preternatural glow suffusing every scene are singled out.

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Evening Standard
22 November 2017 · David Sexton

The film is described as pure, exquisite cinema and a form of poetry at once utterly specific and universal, deserving to sweep the Oscars. The radical casting of three different actors for Chiron across life stages and the sensually shot, lush cinematography are highlighted.

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Sight and Sound
16 February 2017 · Adam Nayman

Jenkins’s intimate three-part portrait of a young Black man’s life in Miami stands out for its rare beauty, tenderness and nuanced performances across the cast. The film’s agile formalism and commitment to emotional proximity elevate its personal story into something of lasting significance.

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The Hollywood Reporter
2 September 2016 · festival review · David Rooney

The critic praises the film as a haunting, poignant character study tracing a Black gay man's life with uncommon emotional perceptiveness and specificity. Strong performances, particularly the three actors portraying Chiron, elevate its exploration of identity and masculinity.

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The Independent
15 February 2017 · Geoffrey Macnab

The critic calls it a sensitively rendered, evocative and surprising coming-of-age film that gives complexity and humanity to stock characters such as the drug dealer and junkie mother. The director's lithe and lyrical approach and offbeat quality that wrong-foots the viewer are singled out for praise.

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The New York Times
20 October 2016 · Critic’s Pick · A.O. Scott

The critic calls the film breathtaking and a poem in light, music, and faces, both personal and a social document. He singles out the beauty of its colors, music, and vivid human performances across Chiron's three life stages.

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Total Film
13 February 2017

Sensitive, subtle and heartfelt, Jenkins’ genre-buster is a significant work that will knock you out. The superbly crafted piece that takes a sledgehammer to stereotypes, along with the terrific sound design and dreamy cinematography, are highlighted.

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Vulture
19 October 2016

The review calls Moonlight a wonderful, delicate, and suggestive film that immerses viewers in the protagonist's inner world across three acts. It highlights the moody rhythms, strong performances, and deeper themes of identity beyond simple labels.

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HeyUGuys
5 October 2016 · ★★★★★ · Scott Davis
100

An astonishing, spellbinding film from Barry Jenkins that is one of the best of recent years, elevated by astounding performances across the three actors portraying Chiron and its quiet intimacy.

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NME
15 February 2017 · ★★★★★ · Olly Richards
100

The critic calls it a majestic film of gentle moments and pregnant silences that conveys universal pain through a very specific story. They single out the majestic performances by the three actors playing Chiron across his life stages for praise.

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The Playlist
18 October 2016 · A · Gregory Ellwood
95

A magnificent, historic achievement and piece of art that will transform lives, shattering stereotypes with its triptych structure, stunning Malick-esque imagery, and stellar ensemble performances especially from the actors playing Chiron and Kevin.

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Collider
18 November 2016 · A- · Brian Formo
90

The critic calls Moonlight a small but special and delicate film that is entirely necessary, with strong performances across the cast that convey complex emotions through subtle gestures and expressions in a hardened world. They single out the intimate observations and handsome construction with magnificent musical cues, while noting some structural limitations after the first act.

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Eye for Film
7 January 2017 · ★★★★½ · Amber Wilkinson
90

Jenkins bathes viewers in the protagonist's experience through a fluid triptych exploring identity, masculinity, and socio-economics, with the camera plunging into moments of fear, friendship, and revelation while strong performances across the cast bring nuance.

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The Ringer
18 October 2016 · K. Austin Collins
90*

The critic hails Moonlight as the year’s most sensual film and a powerful exploration of Black male intimacy and vulnerability that feels radical and essential. They single out the film’s focus on spiritual and emotional closeness between characters typically denied such portrayals in media.

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The Wrap
20 October 2016 · Sam Fragoso
90*

The critic praises Jenkins for skillfully examining the pain of being raised by a drug addict in a homophobic community through an impressionistic, humanist portrayal of Chiron’s life. They single out the nuanced performances, especially Naomie Harris as the mother, and the film's avoidance of clichés or easy moral lessons.

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Deadline
25 October 2016 · Pete Hammond
85*

The critic calls it a moving and pertinent coming-of-age story of self-discovery that is universal in its humanity. They highlight the strong ensemble performances and honest handling of themes like sexuality and masculinity, singling out the genius casting of the three actors playing Chiron.

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Den of Geek
10 February 2017 · ★★★★ · Simon Brew
80

The critic finds Moonlight a superb character piece from a major talent whose quiet ambition lingers long after viewing. They single out the conflicted, three-dimensional performances, especially Naomie Harris as the damaged mother Paula, for praise.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate