Critics’ reviews

Moonstruck (1987)

7 reviews from 7 publications. Critics’ score 79: 5 positive, 1 mixed, 0 negative.

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79
Positive
5
Mixed
1
Negative
0

Most critics respond warmly to Moonstruck, with praise clustering around John Patrick Shanley’s dialogue and an ensemble that makes the family’s romantic entanglements feel affectionate and credible. Cher draws particular approval, while Olympia Dukakis and Vincent Gardenia receive attention for the supporting performances that give the comedy much of its warmth. The reviews also credit Norman Jewison’s direction and timing with keeping the film’s eccentric humour, family tensions and more poignant moments in balance.

The spread is largely favourable, with reservations concentrated in a more muted response rather than outright rejection. Time Out finds the observation of Italian-American customs and sexism more persuasive than the romance, and regards Nicolas Cage as less convincing than his fellow performers. The Hollywood Reporter, by contrast, includes Cage among the ensemble’s strengths. The main disagreement is over how convincingly the film handles romantic passion; its dialogue, character detail and family comedy attract broader approval.

RogerEbert.com
22 June 2003 · Roger Ebert
90*

Ebert praises the film as a romantic comedy grounded in emotional abandon and poignant truth, with a large ensemble of characters whose parallel stories are deftly handled. He singles out the nuanced performances and dialogue that reveal characters open to life's beauty and mystery despite their flaws.

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Los Angeles Times
16 December 1987 · Sheila Benson
85*

Benson calls the film a nourishing and enticing romantic comedy that satisfies hungers for romance, family warmth, and self-knowledge. She singles out the gorgeous, insightful dialogue from writer John Patrick Shanley and the perfect balance with Jewison's direction and timing.

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Empire
1 January 2011 · Angie Errigo
80*

The critic praises the sparkling, gently peculiar comedy and Norman Jewison’s beautifully made, offbeat tale of amore among an Italian-American family in the throes of mid-life crises. They highlight the rich screenplay, marvellous cast, and especially Cher’s performance as the widowed book-keeper who discovers passion.

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Radio Times
★★★★ · John Ferguson
80

The critic highlights Cher's Oscar-winning performance that proves her acting ability, along with the warm and affectionate portrayal of Italian-American life by screenwriter John Patrick Shanley. It singles out the supporting turns by Olympia Dukakis and Vincent Gardenia for particular praise, noting the director allows the cast to shine.

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Variety
31 December 1986 · Variety Staff
80*

The review finds the film a mostly appetizing blend of comedy and drama with snappy dialogue and a wonderful ensemble. It singles out the older lovers, especially Olympia Dukakis's splendidly controlled performance, for giving the picture its endearing spirit.

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Time Out
10 September 2012 · BC
60*

The critic finds the film stronger on social mores than romance, describing it as a half-smile for a summer night. It praises the visual details of Italian-American life and Jewison's gentle mockery of formal traditions and sexism, while noting Nicolas Cage's performance is less convincing than others.

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The Hollywood Reporter
9 December 1987

The review delivers a strongly positive verdict on this romantic comedy, calling it a highlight of the holiday season with universal appeal and strong box-office prospects. It singles out John Patrick Shanley's script for bringing the characters vividly to life through distinctive language and praises the ensemble cast, particularly Cher, Olympia Dukakis, and Nicolas Cage.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate