Critics’ reviews

Moulin Rouge! (2001)

12 reviews from 12 publications. Critics’ score 60: 4 positive, 1 mixed, 2 negative.

Back to our review of Moulin Rouge!

60
Positive
4
Mixed
1
Negative
2

The reviews lean positive, but agreement centres more on Baz Luhrmann’s visual ambition than on the success of his musical. Praise clusters around the elaborate fantasy Paris, the energetic musical numbers and the use of familiar pop songs in an unfamiliar setting. Supporters also find romance and feeling beneath the spectacle, with Nicole Kidman and Ewan McGregor drawing praise for their chemistry, acting and singing.

The spread is wide, and the central disagreement is whether all that activity strengthens the love story or prevents it from registering. Film Comment regards Luhrmann’s approach as a successful revival of the musical; The Independent argues that his restless direction undermines the song-and-dance storytelling the genre needs. Other reservations concern exhausting pacing, intrusive visual tricks and a lack of emotional depth. Even some favourable reviews acknowledge that the same extravagance which delights admirers can wear an audience down.

Film Comment
1 May 2001 · Kent Jones
85*

The critic praises Baz Luhrmann for successfully resurrecting the musical genre with outrageously styled visuals, songs spanning pop music history, and a classic impossible-love story set in 1899 Paris. The result is described as a magnificent confection.

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Radio Times
★★★★ · Andrew Collins
80

The critic calls it an opulent, no-holds-barred musical drama and a singular achievement, wrapped in an audacious mix of songs and near-insane visual ambition that viewers will either love or find exhausting.

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The New York Times
18 May 2001 · Elvis Mitchell
70*

The critic finds the film visually dazzling with its bold use of color and anachronistic pop songs but notes that the narrative feels simultaneously stirring and dispiriting. It praises the emotional excess and heart that explodes in every scene.

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Slant Magazine
17 May 2001 · ★★/4 · Ed Gonzalez
50

The film is seen as a flashy, artificial celebration of pop culture mashups that lacks emotional depth or heart. Its energetic set pieces and musical numbers are praised as exhilarating but ultimately soulless.

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IndieWire
11 May 2001 · festival review · IndieWire
30*

The critic finds the film an overwhelming sensory overload that fails to connect emotionally. The spectacle is criticized as spasmodic and drowning in its own excess.

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The Independent
24 August 2001 · Kim Newman
30*

The critic argues that Moulin Rouge fails to revive the musical genre, as Luhrmann does not trust the material enough to deliver proper song-and-dance numbers that advance the story. The reviewer singles out the jittery direction and over-reliance on pop song remixes as major flaws.

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Empire
1 January 2000 · Liz Moody

The review praises the film as a quirky, intoxicating arthouse musical that successfully builds on Luhrmann's previous work with a gaudy, opulent spectacle full of energy and romance. It singles out the real chemistry between Kidman and McGregor and the clever use of revamped pop songs as highlights.

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Screen Daily
10 May 2001

The critic hails Luhrmann as a visionary who reinvents genres with audacious innovation and expressionism, praising the splendid cast led by a dazzling Kidman and McGregor who excel in both acting and singing.

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Sight and Sound
· Jos Arroyo

The critic finds the film a stretched trailer that overwhelms with cleverness and postmodern pastiche, turning a simple melodrama into something wearisome despite its visual beauty and ambitious references.

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The Guardian
7 September 2001 · Peter Bradshaw

The critic describes the film as a wildly over-the-top fantasy Paris that is gorgeously and intricately conceived but ultimately too fast and furious, with constant gimmicks, crash zooms, and an excess of anachronistic pop songs that prevent the audience from drawing breath or appreciating the design.

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Time Out
10 September 2012 · GA

The critic praises the hyperkinetic, luridly stunning post-modern mix of myth, musical and pastiche with enormous gusto and visual ambition, though noting it lacks emotional punch and can drag.

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Eye for Film
5 September 2001 · Angus Wolfe Murray
85*

The critic celebrates the film's transportive visual spectacle and operatic emotional intensity in Baz Luhrmann's reimagining of the Moulin Rouge story. They particularly praise the vibrant choreography and the charismatic performances of Nicole Kidman and Ewan McGregor.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate