The reviews are unanimous and the spread is narrow: every critic reads Akinola Davies Jr’s debut as a strong one, with scores clustering in the eighties and only a couple straying higher. The praise settles in three places. First, Ṣọpẹ́ Dìrísù as the absent father, described as tender, nuanced and mythic in roughly equal measure. Second, the casting of real-life brothers as the two boys, which several critics say gives the sibling scenes an ease that could not have been directed into them. Third, Lagos in 1993: most reviews dwell on how the film puts the city’s noise, heat and menace through a child’s eyes, with the sound design and cinematography singled out more than once. Reservations are scarce. The Hollywood Reporter finds the storytelling patchy in places, and one or two critics call the film elusive, but nobody treats that as a serious fault. Real dissent has not yet arrived.
V
Variety
19 May 2025 · festival review · Murtada Elfadl
90*
The critic hails the debut as a miraculous gem of autofiction that upends expectations with its intimate family drama set against political unrest. It singles out the authentic casting of real-life brothers as the young leads and the revelatory performance of Ṣọpẹ́ Dìrísù as the mythic father for particular praise.
Read the full review →E
Empire
9 February 2026 · John Nugent
85*
The critic calls it a hugely impressive debut, personal and political, a tender and spellbinding depiction of family in fraught times. They single out the film's ability to evocatively summon the sights, sounds and smells of Lagos and the well-rounded performance by Ṣọpẹ́ Dìrísù.
Read the full review →G
The Guardian
18 May 2025 · festival review · Peter Bradshaw
85*
The critic praises Akinola Davies Jr's strong directorial debut as a moving, personal coming-of-age story about two boys briefly reunited with their absent father during Nigeria's 1993 election unrest. It highlights the film's child’s-eye view of Lagos and the emotional question of whether absence equates to love.
Read the full review →F
Financial Times
5 February 2026 · Jonathan Romney
80*
The critic describes the film as a strong autobiographically inspired debut that captures a hallucinatory child’s-eye view of 1993 Lagos and paternal complexities. It praises the inspired casting of the young brothers and Dirisu’s tender, thoughtful presence.
Read the full review →R
Radio Times
★★★★ · James Mottram
80
The critic describes it as a beguiling coming-of-age story with a strong sense of place in a teeming, vibrant yet dangerous Lagos, praising the beautiful performances that capture the boys’ realization of their father’s strengths and flaws.
Read the full review →T
Time Out
19 May 2025 · ★★★★ · Phil de Semlyen
80
The critic calls it a bold debut that blends wide-eyed childhood discovery with political tension in 1990s Nigeria, praising the immersive controlled chaos, strong performances by Sope Dirisu and the young leads, and its touching, contemplative quality.
Read the full review →T
The Times
5 February 2026 · Ed Potton
75*
The review commends the assured directorial debut and Sope Dirisu's nuanced, moving performance as the absent father reconnecting with his sons amid political tension. It singles out the finely judged sibling dynamics and the film's trilingual authenticity.
Read the full review →I
IndieWire
18 May 2025 · festival review · David Ehrlich
The critic describes it as a beautifully remembered drama about a fateful day trip into Lagos and the first Nigerian film at Cannes. They highlight the semi-autobiographical tale of an absent father trying to set an example for his sons amid national turmoil.
Read the full review →S
Sight and Sound
3 February 2026
The critic praises Akinola Davies Jr.’s debut as an exquisite exploration of family bonds and childhood discovery during a single day in 1990s Lagos amid political unrest. It highlights the natural performances by the real-life brother actors and the film’s tender handling of memory, nostalgia, and moral guidance.
Read the full review →S
Slant Magazine
7 February 2026 · Derek Smith
The critic calls it a moving portrait of a family and nation on the cusp of change, praising how it filters personal and political hope and fear through the boys' perspectives with strong sound design and character depth. They note the father's complexity and the film's symbolic elements.
Read the full review →H
The Hollywood Reporter
20 May 2025 · festival review · Lovia Gyarkye
The critic calls the debut an elegant and stirring ode to Lagos that poetically parallels the personal and the political through a father-son story set against Nigeria's 1993 election crisis. They single out the impressionistic, child-centered visuals and sound design for praise while noting some patchy narrative elements.
Read the full review →N
The New York Times
12 February 2026 · NYT Critic’s Pick · Alissa Wilkinson
The critic finds the film a deeply personal coming-of-age story filtered through memory and love, following two young brothers on a pivotal day with their father amid Nigeria's 1993 political turmoil. It singles out the luminous, odyssey-like quality of the boys' perspective for praise.
Read the full review →P
The Playlist
18 May 2025 · A · Carlos Aguilar
95
The critic calls it a mournful miracle and one of the most stirring debuts in recent years. He singles out the film's lyrical imagery seen through the children's eyes and its devastating emotional impact in the final minutes.
Read the full review →D
Deadline
18 May 2025 · festival review · Pete Hammond
90*
The critic calls it one of the most moving and universally relevant films at the festival, highlighting the heartfelt story of fathers and sons, strong performances, and poetic cinematography.
Read the full review →P
Paste
13 February 2026 · B+
83
The critic calls this a sweet and arresting debut feature from British-Nigerian writer-director Akinola Davies Jr. that follows two brothers on an impromptu day trip to Lagos with their estranged father during the 1993 election crisis.
Read the full review →W
The Wrap
18 May 2025 · festival review · Steve Pond
80*
The critic describes the film as a rhapsody that mixes family dynamics with mystery and political turmoil, praising its elusive quality and blend of reality and imagination.
Read the full review →Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate