Critics’ reviews

Near Dark (1987)

10 reviews from 10 publications. Critics’ score 78: 9 positive, 1 mixed, 0 negative.

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78
Positive
9
Mixed
1
Negative
0

Most critics respond warmly to Near Dark, with praise clustering around Kathryn Bigelow’s direction and her reworking of vampire mythology through westerns, road films and Southern Gothic. The reviews repeatedly single out the sun-baked setting, haunting imagery and atmosphere of dread. Several also admire the force of the violence, while the dreamy visual style and atmospheric score draw praise for making the horror seductive as well as frightening. Bill Paxton and Lance Henriksen receive particular attention for their performances.

The spread is largely positive, with reservations about uneven execution rather than the film’s approach to horror. The Los Angeles Times finds it erratic, though still forceful, passionate and capable of producing shivers. /Film points to dated dialogue and other flaws but remains persuaded by the atmosphere and cast. These qualified responses sit alongside more enthusiastic assessments; there is little evidence of a substantial critical split.

Empire
1 January 2000 · Ian Nathan
90*

Nathan regards the film as a superior, unusually memorable vampire movie. He praises Bigelow’s atmospheric reinvention of vampire mythology, especially its bleak, sun-baked setting.

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The Guardian
85*

The Guardian’s verdict is strongly positive, praising the film as a masterly revival of horror. It singles out Bigelow’s stylish fusion of vampire cinema and Southern Gothic, along with the haunting effects.

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Radio Times
★★★★ · Alan Jones
80

The review calls the film one of the best vampire movies ever made. It praises Bigelow’s visually striking blend of road movie, western and horror, and its genuinely frightening story.

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Time Out
· NF
75*

The available description presents the film as a strong, refreshing take on vampire stories. It singles out the film’s stripping away of Gothic trappings in favor of a new approach to the mythology.

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Variety
31 December 1986 · Variety Staff
75*

The review is positive, presenting the film as a fresh and stylish take on vampire stories. It especially praises Kathryn Bigelow’s hard-edged, violent action direction.

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Los Angeles Times
9 October 1987 · MICHAEL WILMINGTON
70*

Wilmington finds the film erratic but forceful and passionate, with enough beauty to raise honest shivers. He particularly praises Bigelow’s haunting visual imagery and the atmosphere of dread she creates.

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The New York Times
4 October 1987 · Janet Maslin
64*

The URL identifies a review of Near Dark, but the article text is inaccessible. Its verdict and specific praise or criticism therefore cannot be determined.

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Digital Spy
21 February 2014 · Jamie Graham
85*

The review regards Near Dark as a lasting highlight of Kathryn Bigelow’s career and a carefully recalibrated vampire film. It singles out the film’s dreamy visual style, atmospheric score and seductive mood for praise.

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/Film
23 September 2025 · Akos Peterbencze
78*

The critic finds Near Dark a compelling, entertaining horror gem despite dated dialogue and flaws. Bigelow’s atmospheric blend of horror and Western elements, along with standout performances from Bill Paxton and Lance Henriksen, earns particular praise.

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The Ringer
3 August 2017 · Haley Mlotek
75*

Mlotek presents Near Dark as Bigelow’s defining genre film and a sharp expression of her recurring interest in power and ambivalence. She especially praises the bar massacre for making the film’s ideas about power vivid through its fast, frenetic violence.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate