Critics’ reviews

Nebraska (2013)

25 reviews from 25 publications. Critics’ score 80: 11 positive, 2 mixed, 0 negative.

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80
Positive
11
Mixed
2
Negative
0

Most critics respond warmly to Nebraska’s mixture of caustic humour and tenderness, finding emotional weight in its father-son journey without much sentimentality. Praise centres on Bruce Dern’s restrained, physically expressive performance, with June Squibb and the wider ensemble also drawing notice. The black-and-white photography and close observation of small-town Midwestern life are recurring strengths: the reviews value how family histories, ageing and disappointment emerge through ordinary encounters rather than speeches.

The reservations concern pace, predictability and jokes that sometimes lean too heavily on Midwestern stereotypes. Little White Lies finds the opening shaky but says the film improves, while the Financial Times offers a firmer dissent, finding too little energy and too much reliance on Dern to enliven a predictable story. The spread is largely between enthusiasm and qualified approval, with even the less persuaded critics praising the central performance; the disagreement is over how much the film around it earns its feeling.

Evening Standard
6 December 2013
90*

The review hails the film as enchanting, funny, touching and true, ranking it among the year’s best. It singles out the vivid depiction of bleak Midwestern small-town life and Bruce Dern’s magnificent performance of shambling integrity as key strengths.

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Los Angeles Times
15 November 2013 · Kenneth Turan
85*

The film is poignant and ruefully funny, marrying tart-tongued comedy with unexpected warmth in a story touching on family, memory, getting old and staying alive. It singles out Bruce Dern’s opportunity to give the performance of a lifetime.

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The Independent
5 December 2013
85*

The critic calls it Payne’s best film yet, praising its tenderness toward the characters alongside caustic humour and forensic observation of their flaws. The austere black-and-white style and strong performances, particularly Bruce Dern’s, give the conventional father-son story real emotional impact without mawkishness.

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Variety
23 May 2013 · festival review · Scott Foundas
85*

Payne’s sixth feature is a low-concept, finely etched study of flawed characters stuck in life’s well-worn grooves, a wistful ode to small-town Midwestern life. It singles out Bruce Dern’s career-crowning performance as marvelous and nuanced.

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Vulture
14 November 2013 · David Edelstein
85*

The film is a bumpy ride but ultimately a triumph that arrives at a kind of gnarled grace true to the sorry old man and the family he let down. The critic singles out Bruce Dern’s beautiful near-pantomime performance and the emotional payoff of the father-son connection for praise.

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Empire
15 May 2013 · festival review · Damon Wise
80*

The critic sees it as a nuanced, poignant comedy that deepens into a study of family roots and generational dynamics. Strong ensemble work, especially Stacy Keach’s menacing turn and Bruce Dern’s sympathetic lead, is highlighted alongside the film’s wry humour and wistful tone.

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The Hollywood Reporter
23 May 2013 · festival review · Todd McCarthy
80*

The critic describes it as a wryly poignant and potent comic drama about the bereft state of things in America’s heartland, with a strong sense of a vanishing past holding sway over an illusory future. He singles out the black-and-white cinematography for enriching the film artistically and Bruce Dern’s underplayed performance for its flashes of consciousness.

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The New Yorker
14 November 2013 · Richard Brody
80*

Payne’s film is a haunting virtual archeology of long-sedimented family stories with lived-in intimacy. It singles out the shocks of return to a hometown and the performances conveying disappointment and repressed history.

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Little White Lies
13 December 2013 · 4/3/4 · David Jenkins
60

The critic finds it a bittersweet road movie that blossoms after a shaky start, praising Dern’s performance and its exploration of ageing and regret.

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Film Comment
3 October 2013 · Larry Gross

The critic calls Nebraska Payne’s best, most complex, and most satisfying work to date. They single out its visually ravishing quality and the balance of attitudes toward its characters and setting.

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Financial Times
5 December 2013 · Nigel Andrews

The film is a soft-hearted road gig that lacks punch and needs more energy, relying on one standout performance. Dern is the best thing by far, bringing spiky unpredictability to an otherwise predictable story.

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Screen Daily
23 May 2013 · festival review

The critic calls it a wry, somewhat downbeat comedy and tribute to America’s heartland, praising Dern’s performance and the black-and-white visuals while noting some uneven humor.

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Sight and Sound
6 December 2013 · Trevor Johnston

The critic praises the spare, affecting road movie and Bruce Dern's nuanced performance, highlighting its insightful character study of family and decline, while noting minor issues with some humor.

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Slant Magazine
10 October 2013 · R. Kurt Osenlund

Payne’s overview of America is extraordinarily, multifariously profound, particularly in its perception of American iconography and how its value echoes through generations. The critic singles out the treatment of the certificate as a capitalist fantasy and the final sequence stretching toward the horizon for praise, while noting the exploitation of Midwestern stereotypes as a flaw.

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The Guardian
5 December 2013 · Peter Bradshaw

Payne's latest road movie is an unsentimental journey of male disappointment and regret featuring a father and son on an uncomfortable trip. It is funny and tender with superb performances from Dern and especially June Squibb as the foul-mouthed wife.

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The New York Times
15 November 2013 · Critic’s Pick · A.O. Scott

The film is a comedy with acutely funny lines and sharp sight gags that blossoms into a study of provincial American absurdity. It singles out Bruce Dern’s performance as turning an inarticulate alcoholic into a great screen character worth caring about.

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The Telegraph
5 December 2013 · Robbie Collin

Payne returns to bittersweet form with a wistful road movie about real-world problems and family secrets unearthed during a father-son journey. Dern's ragged and delicate performance stands out and earned a Cannes prize.

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Time Out
23 May 2013 · 4 out of 5 stars · Dave Calhoun

The critic praises the compassionate storytelling, black-and-white visuals of the Midwest, and Dern's unshowy performance, noting its blend of humor and sadness without sentimentality.

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Collider
8 October 2013 · A- · Matt Goldberg
90

The critic praises the film's compassionate portrayal of elderly life and a father-son relationship through a road trip story, highlighting strong performances especially from Bruce Dern and Will Forte. They single out the emotional depth in small moments and the black-and-white cinematography that underscores the characters' quiet existence.

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/Film
23 November 2013 · David Chen
80*

The critic describes Alexander Payne's work as challenging, funny, and heartfelt, calling Nebraska no exception. They single out its beautiful, understated quality as a darkly funny, deliberately paced character study.

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HeyUGuys
25 May 2013 · ★★★★ · Craig Skinner
80

The critic sees it as a return to form with ample wry humour and pathos after The Descendants. They highlight the screenplay and direction's ability to balance cutting observations of characters with genuine tenderness, especially in June Squibb's performance.

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Den of Geek
15 November 2013 · ★★★ · Matthew Schuchman
60

The review finds Nebraska a strange mix of brilliance and discomfort, more straight comedy than typical Payne with some rude stabs at Midwestern life. It praises Bruce Dern’s central performance above all.

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Digital Spy
3 December 2013 · 4 · Stella Papamichael

The critic deems Nebraska another Payne masterpiece and a priceless gem of comedy-drama. They single out Bruce Dern’s haunting, physically expressive lead performance.

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Paste
24 May 2013 · 7.2 · Tim Grierson

The review describes it as a melancholy drama with some comedy, noting its deadpan and depressive tone compared to Payne's other works, with strong performances from Will Forte and Bruce Dern, but feels it has some formulaic elements and strained comedy. Praises the emotional conclusion and the examination of family mysteries.

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The Wrap
19 October 2013

The critic finds the film moving without sentimentality and an essential portrait of small-town Midwest life through one family's experiences. Payne's nuanced direction and the cast's performances, especially Bruce Dern as the stubborn father, are singled out for creating an authentic and poignant road story.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate