Critics’ reviews

Peter's Friends (1992)

7 reviews from 7 publications. Critics’ score 70: 5 positive, 2 mixed, 0 negative.

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70
Positive
5
Mixed
2
Negative
0

Most critics find Peter’s Friends an enjoyable ensemble comedy, with the dialogue and performances doing much of the work. Comparisons with The Big Chill recur, but the familiar reunion setup rarely prevents the reviewers from enjoying the company. Praise centres on the cast’s interplay, Stephen Fry’s delivery and Emma Thompson’s eccentricity, while Branagh’s theatrical approach gives the gathering an energy that several reviews find infectious.

The reservations concern sentimentality, superficiality and the distance between a good joke and a convincing emotional scene. The spread runs from warm approval to mixed responses, with no outright rejection. Variety is the least persuaded, finding the humour glib and the proceedings often cloying. Time Out places the writing near sitcom level and questions Branagh’s drunk scene, though it singles out Staunton’s emotional depth; Empire, by contrast, welcomes Branagh’s self-mockery and finds the film less smug than expected.

Empire
1 January 2000 · Lloyd Bradley
80*

The critic praises the film's sparky script by Rita Rudner and the strong characterizations and performances, noting it's less smug than expected and funny despite the Big Chill-like setup. They single out the ensemble playing and Branagh's self-mocking performance for praise.

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Los Angeles Times
25 December 1992
80*

Even after allowances for how jokey, cloying and derivative it is, the film still makes you laugh a lot, thanks to its spirited conviviality and theatrical flair from Branagh.

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RogerEbert.com
25 December 1992 · ★★★/4 · Roger Ebert
75

The critic finds the film enjoyable despite its familiar Big Chill structure, praising the witty dialogue, likable characters like Stephen Fry's Peter and Emma Thompson's Maggie, and the group's dynamics.

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The New York Times
25 December 1992 · Janet Maslin
70*

Describes it as a cheerfully derivative comedy that borrows from The Big Chill but has its own life, working best on quips and at a sunny, superficial level.

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Time Out
4 October 2012 · BC
60*

The witty script isn't pitched much above sitcom standard, but a couple of the performances are terrifically good. Acting honours go to Staunton for her extraordinary emotional depths, and to Thompson for her super-gawky eccentricity; Branagh's drunk scene doesn't work, and most will guess the pay-off, but it's an amiable enterprise.

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Variety
11 September 1992 · festival review · Todd McCarthy
50*

A sometimes funny, often cloying entertainment about old friends experiencing crises; glib humor and heavy sex emphasis could appeal to some but reaction will be mixed.

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Den of Geek
14 March 2018 · Simon Brew
75*

The critic finds the film enjoyable on rewatch for its strong comedy beats and cast performances, particularly Stephen Fry's delivery, despite some structural flaws and a theatrical feel. It is praised as a rare British commercial hit from 1992 that deserves more attention.

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Ordered by the weight we give each publication, then by score. Scores are normalised to 100; * means inferred from an unrated review. Summaries are ours, not quotations; follow the links for the reviews themselves. How we rate